I was very aware when I went to the Academy Awards that it would probably be my first and last time. So I thought my input should really be about fertility, and I thought I'd bring some eggs.
I had no idea that such a thing could happen. It never occurred to me.My son told me. He called me and said, "Darling, I just wanted you to know that you have been chosen to receive an honorary Academy Award." I was in the back of this car, and I said, "Oh," and burst into tears, of course, because it was so unexpected and quite wonderful. I thought it's been worth hanging around all these years.
At the Academy Award Dinners all the actors and actresses in Hollywood gather around to see what someone else thinks about their acting besides their press agents.
Almost any fool can paint an academy picture, and any imbecile can shoot off a Kodak.
There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.
You might be a redneck if you have refused to watch the Academy Awards since Smokey and the Bandit was snubbed for best picture.
Not everything's made to win an Academy Award.
You ain't ever gonna get an Academy Award for doing 'Crank,' and you certainly won't for doing all the other movies I've done.
The Naval Academy is a very prestigious place, and I choose to try it. I got there and darn near didn't pass, just about flunked out the first year, but a commandant by the name of Bush Bringle managed to call me in one day and taught me more about leadership in about 15 minutes than I have learned in the rest of my life. And because of Bush Bringle I regained some faith and confidence in myself, learning I had a little bit more in me than I thought, and I went back to work and finished.
I received my training at an art academy, so what I produce is art. That's what is artistic about my photographs.
I confess myself utterly at a loss in suggesting particular reforms in our ways of teaching. No discretion that can be lodged with a school-committee, with the overseers or visitors of an academy, of a college, can at all avail to reach these difficulties and perplexities, but they solve themselves when we leave institutions and address individuals.
Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We're Gonna Make You a Star.
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.
All I know is there's thousands of people in the Academy and a lot of them, the majority of them, haven't won Oscars.A lot of people are crying, I guess.
We don't even know who's in the Academy.
Few years ago, I said something about the Academy being very white male, which is the reality, and I was slashed to pieces by the media.
The academy is an incredibly sheltered world, and I do think it's important for writers to get out from under that shelter, at least for a while, to see what the world looks like from outside it.
My dad [...] sent me a text saying, 'You know who you should play? Columbo. That's your Academy Award.'
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
I'm sorry, to boycott the Academy Awards is a slap in Chris Rock's face. To host is such a prestigious honor. To boycott it is not the issue. I think it does a disservice to all the African Americans that have worked so hard this year that will be attending and looking at this as an opportunity of a lifetime. I think it's a slap in the face. I understand the sentiment, but I don't appreciate the tactic.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
I think Straight Outta Compton is one of the greatest biopics, but I am biased on that one, obviously. There are some things the Academy gets wrong and it's important to call them on it. But in other instances, there are simply just better actors. They're doing a better job than they've done, but there's still room for improvement.
Obviously movies like this [Fast and the Furious 7] don't get any love from the Academy. If they do, it may be special effects or sound editing or something like that.
I'm very surprised at Carol didn't get a best picture. Todd Haynes is an Academy darling, his period pieces are nothing short of brilliant, and they hold up. And I definitely feel like Carol speaks to, even though it's set in the past, it speaks to themes we're dealing with in life right now. It's really really shocking that it didn't get it.
Sylvester wins, obviously [best actor in a supporting role in 2016]. That's the whole point of this. We're all getting dressed up to go to the Oscars to hear Sylvester Stallone, let no one get this twisted. The academy can't pay for a better moment than this: this is the Oscar's original darling.
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