Few years ago, I said something about the Academy being very white male, which is the reality, and I was slashed to pieces by the media.
The academy is an incredibly sheltered world, and I do think it's important for writers to get out from under that shelter, at least for a while, to see what the world looks like from outside it.
My dad [...] sent me a text saying, 'You know who you should play? Columbo. That's your Academy Award.'
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
I'm sorry, to boycott the Academy Awards is a slap in Chris Rock's face. To host is such a prestigious honor. To boycott it is not the issue. I think it does a disservice to all the African Americans that have worked so hard this year that will be attending and looking at this as an opportunity of a lifetime. I think it's a slap in the face. I understand the sentiment, but I don't appreciate the tactic.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
I think Straight Outta Compton is one of the greatest biopics, but I am biased on that one, obviously. There are some things the Academy gets wrong and it's important to call them on it. But in other instances, there are simply just better actors. They're doing a better job than they've done, but there's still room for improvement.
Obviously movies like this [Fast and the Furious 7] don't get any love from the Academy. If they do, it may be special effects or sound editing or something like that.
I'm very surprised at Carol didn't get a best picture. Todd Haynes is an Academy darling, his period pieces are nothing short of brilliant, and they hold up. And I definitely feel like Carol speaks to, even though it's set in the past, it speaks to themes we're dealing with in life right now. It's really really shocking that it didn't get it.
Sylvester wins, obviously [best actor in a supporting role in 2016]. That's the whole point of this. We're all getting dressed up to go to the Oscars to hear Sylvester Stallone, let no one get this twisted. The academy can't pay for a better moment than this: this is the Oscar's original darling.
I mean, people who watch Jon Stewart's show every night don't think he went far enough, because he couldn't do what he does on his show every night, because it's a different job. The same thing with Chris Rock. He can't come out and do a tossed-salad routine, the way he does on his HBO shows, because this is the Academy Awards.
The Royal Academy Summer Exhibition is very difficult to hang because it is so large and the quality is very varied. There are 1,200 works, an almost impossible number, some are interesting and some are not.
I look at the character of the exhibition and I treat it as I would a painting or an installation. When I did the Summer Exhibition at Royal Academy, I did it exactly as I would when making a new work.
When I did The Umbrella Academy, I studied Gabriel Bá's art. I said, "Oh, this is what he likes to do here. Maybe I can push him to do a little more of this." You can play to those strengths. It's a different scenario with each artist.
I don't know if I could [do a TV show]. I would if it had nothing to do with the comic. It would be really weird and maybe not feature any of The Umbrella Academy characters.
I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
For instance, when "Gender trouble " is translated into Japanese, it produces a problem of vocabulary and a way of thinking about a quality for instance that is somewhat controversial in academic circles and also outside of the academy. In other places, "Gender trouble" is old.
The important thing is to think about theory in life in that way. And I think we don't have to be theorists, we don't have to have gone to the academy, or to the university to learn theory and to be a theorist of gender.
I didn't realise that Ridley Scott has never won an Academy Award.
There was an old brochure for the American Academy of Dramatic Arts with a quote from Robert Redford or someone, that said, "You're only as good as you dare to be bad."
I know how the Academy Awards works: It's a card game, and I'm in the toss-up category.
My mother found a way out of a little one-bedroom apartment in Athens, Greece to bring Arianna to Cambridge to study economics and bring me to the Royal Academy in London with very few financial resources and no connections. She didn't know anybody in England, but she found a way. Her love for her daughters and seeing what they could be, motivated her and gave her the chutzpah, the courage, to break down barriers. When you have the motivation of love, you will find the way.
I don't think I will ever be able to really articulate how bizarre it was to hear my name at the Academy Awards. I'd watched in my pajamas the year before! I felt numb - dazed and confused. I remember feeling light - weightless. More like limbo than cloud nine. At first I was like, This is my statue; nobody gets to touch it. And by midnight I was like, Please, someone, take this statue; it's too heavy! So I gave it to my brother, and he went off with it.
Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.
According to the National Academy of Sciences, our current immigration system costs America's taxpayers many billions of dollars a year.
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