We all know artists who like to collaborate, who like to work as a team. It all kind of depends what your habitual working method is.
It's something that exists on a daily basis on practically every street in India. You have people who are Hindus, Muslims, Christians - not just Catholics, but Protestants, you name it, all kinds of Christians - a hundred other religions, living side by side. And the kind of personal religion that people end up practicing is a bizarre concoction of ritual drawn from each other. So everybody ends up celebrating everyone else's festivals.
But lots of people do parody now. The whole mash-up thing that's so prevalent now was starting in the 80's when I was starting to think about this stuff. I certainly wasn't the first person to do it but now... comics mash-ups, all kinds of mash-ups are everywhere.
The understanding of it [absolute] is very important as a beginning point. Then you can use meditation, further reasoning, long-term familiarity etc., you can use all kinds of methods to deepen this understanding and to have it counter the instinctual sense of being an absolute you.
There are so many kinds of different feelings - not good feelings - going on in the room, and he comes in with so much compassion. He's a straight talker and pulls them into what feels like a really positive action-struggle kind of feeling. Without seeing that, you might have all kinds of judgments or feelings about what might go on in a place like that. But it felt akin to a spiritual healing more than I could have possibly anticipated.
I've always wanted to do all kinds of roles, dramatic roles and comedic roles, all kinds of roles.
My father, who was the one who really got me hooked on movies, liked all kinds of films, and I saw all kinds of films at a very young age.
I have a policy that I don't actually watch the work that I do. There are all kinds of reasons to do that, but one really interesting side effect that has come about from that is that I have no imagery of the show that isn't from first-person.
The reason I make art is because I get to make a choice about who I am, what I do, and what I put out into the world, the footsteps I leave behind. It's a cliché for a reason - we all kind of work our own paths through the woods. There are not a lot of paths through the woods for someone who sings, plays the cello, and wants to tour on a human scale and create change in the world. I'm on my own path. It's pretty awesome.
I think religion might throw up a kind of resistance, but I think if one talks about conditioning we can all kind of understand that.
I've tried over the years all kinds of ways of going about writing and even just thinking about the idea of writing. There was a time when I decided to try to write a song each day. Whether it was good or bad wasn't important.
I grew up with boys of all kinds - I have two brothers, and I was in a bagpipe band for several years.
My own literary interest is more about excavating the past, or sensing the past inside the present. This requires all kinds of exclusions and sleights of hand. There's an admittedly antiquarian flavor to it, even though there's enough of the present included to lull the reader.
I've had to do all kinds of jobs to pay the rent. I've even worked in a Cornish tin mine.
Girls use social media in all kinds of ways. They use it to have friendships. They use it to be playful with each other, to make each other laugh.
I like all kinds of music but some of my all time favorites are P.I.L., Yoko Ono, T-Rex, and Anton Karas.
Generally speaking, books don't cause much harm. Except when you read them, that is. Then they cause all kinds of problems. Books can, for example, give you ideas. I don't know if you've ever had an idea before, but, if you have, you know how much trouble an idea can get you into.
I've heard of people stopping their cars, having car wrecks, all kinds of things. But most of the banjo players I know had that moment when they heard Earl Scruggs. So, for me, it transcends the technique. It's the musician in him and his personality, his musical personality, such great taste, such great technique, very, very creative.
I was born an ugly duckling due to my mother's ill health. She wasn't supposed to be pregnant, there were all kinds of complications, she couldn't survive a cesarean section etc. She said, "They didn't hand me a child, they handed me a purple melon." I heard that when I had grown up and had no idea of the whole story because the family album had pictures of a covered carriage and my mother smiling so I assumed I was asleep.
My two young producers, Fernando Perdomo and Chris Price, had to explain to me that there's a division right now between the two sides. They took three living, breathing percussionists to do the beats on the song "Intensity". We've got all kinds of layers, because I kept saying we didn't get all the beats. If you hear a synth, it's because I put my foot down. But I had to fight for it because they wanted it all totally organic.
Every chance at destabilizing [Bashar] Assad... the bombing campaign causes a flood of refugees into Jordan, there's already half a million in Jordan. I think a bombing campaign - I think it's hard to argue that a U.S. bombing campaign is going to cause less refugees. And I think it causes more refugees and more of a humanitarian disaster. I think it causes, or allows, the risk of Israel being attacked with a gas attack to go up, if we attack Assad. So there's all kinds of bad things.
When a country is at war or in economic depression, underdevelopment or tightened security, it sets an affective tone or mood, which seeps through into everyday life via all kinds of channels.
It's not like I'm narrating stories with music behind them. It's all kind of one thing. You hope you can provoke a specific emotional reaction, but in ways that aren't quite plain.
I'm a real big electronic music nut; when I was young I listened to musique concrète, German music from Cologne in the early 50s, all kinds of stuff.
I would like to do away with all kind of - all weapons. A dream - totally. Including the bow an arrow.
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