My body and its condition are a barometer that is always trying to tell me which direction to go for my maximum creativity, health and fulfillment. And, because I'm human, I get off track now and again but I can always get back on.
There are just so many options that people have. But as a writer, you'll drive yourself crazy, if you worry about that too much. People watch a lot of TV, so they think certain things are going to happen, and you're always trying to subvert expectations.
What I find horrible nowadays is that people are always trying to find a personality for themselves. Nobody bothers about what you might call a painter's ideal... the kind that's always existed... No. They couldn't care less about that.
I'm always trying to evolve and I'm always trying to learn new things. The mind is the most powerful weapon you have.
Hip-hop is always moving. It's always looking for the next style; it's always trying to one-up the last person.
I'm always tweaking, always trying to make it better, constantly moving the levers and dials.
Live like your always trying to impress someone
Life is always trying to love us, but we need to be open if we are to see it. Fear shows us one world; and love shows us another world. We decide which world is real. And we decide which world we want to live in.
We need to never consider ourselves as having 'arrived'; always trying to learn how we can change to be more like Christ
It is precisely the sort of thing I am always trying to do in my writing -- to present my unhappy reader with a wide-ranged chaos -- of actions and reactions, thoughts, memories and feelings -- in the vain hope that at the end he will see that the whole thing represents only one moment, one feeling, one person. A raging, trumpeting jungle of associations, and then I announce at the end of it, with a gesture of despair, "This is I!
I never wanted to do just comedy or just drama; sometimes, going back and forth you can get yourself in trouble which happened to me on other things so you're always trying for a delicate balance - I also think that they compliment each other so well.
No matter how much a young man likes to think for himself, he is always trying to model himself on some abstract pattern largely derived from the example of the world around him. And a man, no matter how conservative, shows his own worth by his personal deviation from that pattern.
I am not that person who walks in a room with my nose in the sky. I smile at people when I meet them, and I like photos of me when I'm smiling because they show my personality. I am always trying to have fun.
One of the biggest lessons is to keep your feet on the floor. Just keeping grounded and not really getting above yourself and always trying your best to be yourself.
What you're always trying to achieve in a creative relationship is one that is egoless... ideas belong to the collective. If you can disassociate your own ego from your idea, then, almost always, everybody will arrive at the same decision as to what is best.
In real conversations, we are always trying to outguess each other.
It is concern that precedes and inspires agendas, and survives when agendas fail, and it causes us to try again, always trying our best, never certain about our own judgment. It is knowing that God's purpose exceeds whatever we can put in an agenda.
You do learn things and one of them is that happiness has nothing to do with validation from other people, the important thing is being happy with yourself ... finding something that is important to you and sticking with it no matter what anyone says. The truth is you've got to really be tough because there are all kinds of forces that are always trying to get you to do things their way ... trying to tell you that you are throwing your life away if you don't follow their advice.
The strength of film is its accessibility and immediacy. But the strength of books is that freedom to really depict anything you want because people are going to be reading it in private. So, I'm always trying to write with the immediacy and the constant motion of film but I'm also trying to write with the complete freedom of subject matter that books have.
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
I never wanted to live a relatable life, I wanted to live an aspirational life. I didn't want to see people who had my life on TV. I wanted to see other lives, right, and so I was always trying to get as much of that stuff as I could.
Disasters are funny to me. As a comedian you learn from failure, so I'm always trying to put myself in a situation that does not seem ideal for my comedy and see how it works.
We [in the MBA] get to create a situation where we're really choosing the students to join our environment based upon what we think they can teach the rest of us. We're always trying to attract people who are going to bring excitement and intellectual curiosity into our classrooms in our environment.
I write about love and family a lot, because I'm always trying to figure those things out. At different points in my life, just when I think I've finished writing about it, the dynamics shift, and then I have a whole new set of questions and worries and misunderstandings to wrestle with.
I write poetry to figure things out. It's what I use as a navigating tool in my life, so when there's something that I just can't understand, I have to "poem" my way through it. For that reason I write a lot about family, because my family confuses me and I'm always trying to figure them out. I write a lot about love, because love is continually confusing in all of its many glorious aspects.
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