I have known a very good, fisher angle diligently four or six hours for a river carp, and not have a bite.
There are elements of that, where you'll see a scene again and you'll recognize it, but I wouldn't say it's got one conceit like that, at all. It definitely has those jokes, but it would be wrong to say this is a show where, every time you see it, you see a new angle.
There is no proof that carbon dioxide is causing or precedes global warming....All indications are that the minor warming cycle finished in 2001 and that Arctic ice melting is related to cyclical orbit-tilt-axis changes in earth's angle to the sun.
There's a rhythm to the words combined with the pictures [in a comic]. Whenever I'm working on a comic strip I re-read it, probably hundreds of times through to pay attention to how all of those things work. Sometimes even changing the angle of a character's eyebrow can really, seriously alter the effect and overall interpretation of a scene. And the insertion of a pause or a cough or a sniff, and all these things that we do in conversation, can bring it to life in a strange way.
Kissing scenes are never romantic or sexy, they're actually super technical, like, "Move your head, you're blocking her light," or, "Stop looking like an idiot when you kiss her." You do it again and again because of the camera angles and takes and whatnot. So by the end of it, it's not even kissing. All the anything is totally drained out of it.
There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.
I teased Randy Orton because he started using my finish, the Angle Slam. I said, 'Hey, I don't mind you using it, but at least give it a name.' When he hits it, the announcers just say, 'Well, he just hit that... thing.'
I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.
I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.
War is not pretty from any angle, and the most vulnerable organ in the body is the brain.
I've never felt really creative or intuitive using software. I like paper and pens and paint. I need to angle real lights on my artwork and work with my hands and build props. Computers just take all that fun out of it [animation drawing].
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
To shoot a decent fight, you need to cover all the different angles, and it ends up eating a lot of days.
Post-Modern space is historically specific, rooted in conventions, unlimited or ambiguous in zoning and irrational or transformational in its relation of parts to whole……. …skew or distorted spaces, created by sharp angles which exaggerate perspective…. …always keep a mental coordinate system no matter how free- form and baroque they become. The reference plane is always an implied frontality, and the route through the building or the curvilinear elements then relate to this conceptual cage
I always thought when I was doing more melodramatic stuff like Everwood that the directors were constantly reeling me in and stopping me from being funny. I've always tried to find a funny angle on things, and 99 percent of the time, it just doesn't work.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written. But with the multi-camera digital setup, you're getting both sides of the scene at the same time, so it gives you that freedom to go off-book.
An illustration is a visual editorial - its just as nuanced. Everything that goes into it is a call you make: every color, every line weight, every angle.
Look at Andrew Roe's The Miracle Girl from one angle and you'll see an incisive and insightful critique of America at the millennium and today, investigating where we put our faith and why. The greatest of Roe's achievements in this captivating debut is a memorable feat of intense empathy. Roe inhabits characters who are desperate to believe and reveals to us their needs and wounds and hopes, and he does so with kindness, generosity, and wisdom. This is a novel about what it means to be human, to seek connection and hope and maybe even transcendence in the world around us.
Deceit for personal gain is one of history's most recurring crimes. Man's first step towards change would be thinking, counter-arguing, re-thinking, twisting, straightening, perfecting, then believing every original idea he intends to make public before making it public. There is always an angle from which an absolute truth may appear askew just as there is always a personal emotion, or a personal agenda, which alienates the ultimate good of mankind.
I have this theory that if we're told we're bad, then that's the only idea we'll ever have. Maybe if we are surrounded in beauty, one day we will become what we see. Anyone can start a conflict. It's harder yet to disregard it. I'd rather see the world from another angle. We are everyday angels.
It's fun to watch a true-blue movie star at work. They're really unbelievably charismatic. They understand camera angles.
A wider of more altruistic attitude is very relevant in today's world. If we look at the situation from various angles, such as the complexity and inter-connectedness of the nature of modern existence, then we will gradually notice a change in our outlook, so that when we say 'others' and when we think of others, we will no longer dismiss them as something that is irrelevant to us. We will no longer feel indifferent.
People talk about skating, puck handling and shooting, but the whole sport is angles and caroms, forgetting the straight direction the puck is going, calculating where it will be directed, factoring in all the interruptions. Basically, my whole game is angles.
Living life from a whole different angle. Only see the road through the wings of an angel.
Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder upon it, and dwell upon it.
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