We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings.
The study of everything that stands connected with the death of Christ, whether it be in the types of the ceremonial law, the predictions of the prophets, the narratives of the gospels, the doctrines of the epistles, or the sublime vision of the Apocalypse, this is the food of the soul, the manna from heaven, the bread of life. This is "meat indeed" and "drink indeed."
Theres a lot of speculation on what the zombie apocalypse thing means. I have a feeling that its kind of an expression of our subconscious fears. I think we know that something big and impossible - some enormous crash, equalizing crash, whatever - may be coming around the corner.
My dream of an apocalypse that was the Antichrist Superstar has unfolded. I could see that they only looked and acted like humans, but they had lost their souls, they were Mechanical Animals
I love Apocalypse Now because it's a war movie, but yet it's not really a movie about war.
As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene.
I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.
Nature photography... that acknowledges what is wrong, is admittedly sometimes hard to bear - it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves.
There's just no real job security when you're shooting a show about an apocalypse and anybody could die at any time.
The Los Angeles Times reported that sixty-three percent of American families are now considered dysfunctional. Good. 'Cause that means when Armageddon really happens, thirty-seven percent of this population is going to lose their minds. Oh my God, the world is over! Us sixty-three percent? We're going to go, Hey... there's no one watching the Lexus dealership! We're going to the Apocalypse with leather and a CD changer! You guys have been great. Thank you.
These proven positive consequences of elevated CO2 are infinitely more important than the unsubstantiated predictions of apocalypse that are hypothesized to result from global warming, which itself, may not be occurring from rising atmospheric CO2 levels. The aerial fertilization effect of atmospheric CO2 enrichment is the only aspect of global environmental change about which we can be certain; and to restrict CO2 emissions is to assuredly deny the biosphere the many benefits that accrue from this phenomenon.
I always knew what I thought the theme was, the core, in one word. In 'The Godfather' it was succession. In 'The Conversation' it was privacy. In 'Apocalypse' it was morality.
So a Holocaust-denying, virulently anti-Semitic, aspiring genocidist, on the verge of acquiring weapons of the apocalypse, believes that the end is not only near but nearer than the next American presidential election. (Pity the Democrats. They cannot catch a break.) This kind of man would have, to put it gently, less inhibition about starting Armageddon than a normal person.
Some people dote on contemplating disasters.
Night is falling. The gods have left us for those who please them better. Our time in the world is passed, and we are as wasted as the wind against the mountains. Shadows are falling, the gods have left us.
If you look at the whole life of the planet, we - you know, Man - has only been around for a few blinks of an eye. So if the infection wipes us all out, that is a return to normality.
As a Protestant minister's son I am partial to apocalypses.
I am still not taking my "career" in music for granted. It is constantly surprising that it works. Generally my thinking about the future has this assumption of an impending apocalypse.
I think that the Apocalypse is going to be in this new way of thinking. Somewhere between now and 2020, there has got to be a break though. Not just in science, we've done that, but a breakthrough in the human mind.
Guns, double-crosses, hitmen... I can get used to a lot of things, but I'm never going to get used to sleeping where apocalypse bugs mate,” Wednesday said, walking into the room looking around. She dropped her Birkin on the floor and heard something scuttling behind the cheap plastic wood print veneer covered dresser. She turned to face Alvin, her head cocked to the side. “Seriously. I'm not saying five-star... I'm saying go on Expedia and find a place that actually has stars... any stars.
I see the meaning of apocalypse as an unveiling of our deeper self.
I think in the long run, it will be better for us if we solve our problems without suffering through some terrible disaster. I like the idea of change without Apocalypse.
I am not sure I knew what I was doing, writing an "apocalypse" novel, when I started this book. Now that the book is done, I can own that I have in fact written an apocalypse novel, one that speculates on a dark, dark future. Why I did it, I really don't know - every time people read my work they comment on its darkness, its sadness.
The short story is so much about inevitability and this feeling that things always had to be this one way, and I wanted the apocalypses to blow that idea apart. I hope it feels that way. I hope the book invites people to read the stories in order and then, if they feel like it, maybe not read them in order the next time.
There were a lot of apocalypses that didn't make it into this assemblage because they didn't suit the world. And defining that world and figuring out what its wobbly borders were was a long-term and exhaustive process. I had all of these different ways of categorizing the apocalypses I had made. I had a period of time where I cut them up.
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