I think the environmental movement has failed in that it's used the stick too much; it's used the apocalyptic tone too much; it hasn't sold the positive aspects of being environmentally concerned and trying to pull us out.
I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.
Post-apocalyptic novels tell you that in the future there is some great war. I would tell you that most cops say that it's going on right now.
Zombies are apocalyptic in nature. They belong to a class of monster that doesn't just hunt humans, but seeks to obliterate that entire human race.
I quite like post-apocalyptic films, things like 'Mad Max' for instance, because they are so full on and there is something quite cleansing about the post-apocalyptic because you can see where we all think we're heading.
So I've always been kind of an apocalyptic kind of kid, and looking back at the movies I've done, there's some kind of apocalypse in them. So that must be what scares me... besides Republicans.
The essay form has superceded the novel as the vehicle that best suggests the prevailing apocalyptic gestalt, and as the talisman that is most able to repel the onset of paralysing dread.
In my own country, many of the movies in recent years express our innate fears about what awaits us. They are apocalyptic visions that leave only a few people on earth-whole cities surviving under domes because we have depleted our natural resources. And often in these movies, for reasons that I question, we have space aliens who are always blowing up Washington, D.C., and the White House.
Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.
Truth has advocates who seek understanding," Richard said. "Corrupt ideas have miserable little fanatics who attempt to enforce their beliefs through intimidation and brutality... through faith. Savage force is faith's obedient servant. Violence on an apocalyptic scale can only be born of faith because reason, by its very nature, disarms senseless cruelty. Only faith thinks to justify it.
I'm convinced no one actually likes clubs. It's a conspiracy. We've been told they're cool and fun; that only "saddoes" dislike them. And no one in our pathetic little pre-apocalyptic timebubble wants to be labelled "sad" - it's like being officially declared worthless by the state. So we muster a grin and go out on the town in our millions.
Greed, accident, or malice may have harmful results, but, barring something truly apocalyptic, a resilient system can absorb such results without its overall health being threatened.
I live in an apocalyptic dream. My steps fit into it so precisely that I fear most of all I will grow bored reliving the thing so exactly.
A conflagration always made such a nice backdrop to a battle. Fire made everything so much more joyously apocalyptic.
The truly apocalyptic view of the world is that things do not repeat themselves. It isn't absurd, e.g., to believe that the age of science and technology is the beginning of the end for humanity; that the idea of great progress is delusion, along with the idea that the truth will ultimately be known; that there is nothing good or desirable about scientific knowledge and that mankind, in seeking it, is falling into a trap. It is by no means obvious that this is not how things are.
For me, ‘Dog Days’ symbolizes apocalyptic euphoria, chaotic freedom and running really, really fast with your eyes closed.
If the Council on Foreign Relations (CFR) raises the hackles of the conspiracy theorists, the Bilderberg meetings must induce apocalyptic visions of omnipotent international bankers plotting with unscrupulous government officials to impose cunning schemes on an ignorant and unsuspecting world.
I feel like when we talk about post-apocalyptic themes that's what we're really talking about. We're always returning to this sense of being alone in a strange new place where all is bleak and all is lost. And it is this sense of isolation that permeates the whole album. I wanted to go into the balance between fear and transcendence.
The new 'Mad Max' movie takes place in a post-apocalyptic world. I have a small part in 'Mad Max.' I play the old geezer who remembers what steak tasted like.
The nation, like the church, has its visible symbols and insignia, its parchments engrossed with the revealed word, its dogmas, hymns, liturgy, holy day celebrations, its early Fathers, prophets and martyrs, its priesthood and its lay sodality, its myths of sacred genesis and apocalyptic crises, its world-saving mission and its missionaries.
Of course, Jastrow's comment is exaggerated at best; theologians hardly predicted the Big Bang. If our universe turns out to be closed, hence with an end, this does not mean apocalyptic visions of the end of the world were on target. And even if a beginning for the universe is a successful prediction of one version of theism, this is still not that impressive. After all, even a stopped clock is right twice a day. The Big Bang becomes strong support for God only with an argument showing that such a beginning requires a Creator.
When I first encountered the poems of Jon Woodward, I was stunned into the state that is my life's joy-I was in the presence of the inimitable. Uncanny Valley extends that experience-almost into another dimension. These apocalyptic, pixilated poems forge a mythology of our ravaged culture, one that might have been written in the future. If you want poetry to give you a persimmon on a plate, look elsewhere; if you want to know what happens when seven trees fall on the highway and the story is told by a stutterer, this is the book, and it could only have been written by Woodward.
n our increasingly secular society, with so many disparate gods and different faiths, superhero films present a unique canvas upon which our shared hopes, dreams and apocalyptic nightmares can be projected and played out.
The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.
The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.
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