One my favorite things is to go to the provinces of Russia and see the 18th century wood churches with the onion dome architecture. These humble wonders of incredible imagination of architects that were obviously not living in places like Paris or London, but they've created these amazing churches.
Before World War II, Modernist architects sometimes had to resort to custom fabrication or outright fakery to achieve the machine imagery advocated by the Bauhaus after its initial, Expressionist, phase. Stucco masqueraded as reinforced concrete; rivets were used for decoration.
Inconsistency itself breeds vitality.
Cost overruns are not uncommon in architecture, particularly for designs that depart from structural or technological norms, or demand a finer quality of execution than commercial schemes - conditions typical of buildings for cultural institutions. Budgets are exceeded for many reasons, not all of them within an architect's control.
To create, one must first question everything.
I would like my architecture to inspire people to use their own resources, to move into the future.
You’re kind of a psycho. I get that.” “I might be,” Monica agreed, and gave her a slow, strange smile. “You’re one smart little freak. Now run away, smart little freak, before I change my mind and stick you in one of these old suitcases for some architect to find a hundred years from now.” Claire blinked. “Archaeologist.” Monica’s eyes turned winter cold. “Oh, you’d better start running away now.
This was not the old Chichikov. This was some wreckage of the old Chichikov. The inner state of his soul might be compared to a demolished building, which has been demolished so that from it a new one could be built; but the new one has not been started yet, because the infinitive plan has not yet come from the architect and the workers are left in perplexity.
Being a lifetime wife and mother has afforded me the luxury of having multiple careers: I've been a teacher. A chauffeur. A chef. An interior decorator. A landscape architect, as well as a gardener. I’ve been a painter. A personal shopper. An accountant and a banker. I’ve been a beautician. Santa Claus. The Tooth Fairy. A movie reviewer. A nurse. A psychologist. A negotiator. An I have a Ph. D in How to Pretend Like You Don’t Mind.
There is a danger when every building has to look spectacular; to look like it is changing the world. I don't care how a building looks if it means something, not to architects, but to the people who use it.
May it be my privilege to have the happiness of establishing the commonwealth on a firm and secure basis and thus enjoy the reward which I desire, but only if I may be called the author of the best possible government; and bear with me the hope when I die that the foundations which I have laid for its future government, will stand firm and stable.
Though there are things beyond our understanding, for the most part we are the architects of our own unhappiness.
Knowing what you need doesn't always mean you know how to get it, though. I'd spent a long time hiding in my cave. No matter how much I might want to come out into the light, I knew it would hurt my eyes. I was a fool. A fool, but nevertheless too smart not to know I was the architect of my own demise, that it was time to put my past behind me. It was time to stop allowing the white elephants to stand unspoken of in my living room.
When the materials are all prepared and ready, the architects shall appear.
People who build their own home tend to be very courageous. These people are curious about life. They're thinking about what it means to live in a house, rather than just buying a commodity and making it work.
I stand on this rostrum with a sense of deep humility and great pride - humility in the weight of those great American architects of our history who have stood here before me; pride in the reflection that this home of legislative debate represents human liberty in the purest form yet devised.
The modern architect is, generally speaking, art's greatest enemy.
Form ever follows function.
Each new situation requires a new architecture.
The architecture we remember is that which never consoles or comforts us.
There are 360 degrees, so why stick to one?
Despite the persistent image of the architect as a heroic loner erecting monumental edifices through sheer force of will, the building art has always been a highly cooperative enterprise.
During the modern period, the vanguard architect has usually relied on small residential jobs both to supply a steady income and to serve as 'sketches' for ideas that are often later translated to the larger scale of public commissions.
I love paper. A nice thick pile of it and a pencil, and I'm content.
When I am asked what I believe in, I say that I believe in architecture. Architecture is the mother of the arts. I like to believe that architecture connects the present with the past and the tangible with the intangible.
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