I studied anthropology and art history, as I have always been captivated by living traditions.
It became a question of taste. I have a certain taste in art history. And that - I had a huge library of art history books in my studio. And I would simply have the models go through those books with me, and we began a conversation about, like, what painting means, why we do it, why people care about it why or how it can mean or make sense today.
This is - it's a sociological experiment in many ways. And so you're seeing the results of what happens when you put a lot of boys in a room looking at art history.
In our conversations, he [Michael Jackson] revealed a surprising understanding of art history. We were going through the finer points of the difference between one Italian sculptor to the next. You know, this - these are things that we don't necessarily assume of people in sanctified light.
He [Michael Jackson] would choose specific moments. They were art history books that I prefer. They were paintings that he prefers. It's this dance back and forth. We were halfway through the dance. He died.
If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.
[Albert] Hoxie, my Western Civilization professor. I had him in my freshman year and he opened up an extraordinary world to me that I've never forgotten. He used his extensive knowledge of art history to illustrate the development of Western culture and politics.
The aim of art is to represent not the outward appearance of things, but their inward significance.
When I judge art, I take my painting and put it next to a God made object like a tree or flower. If it clashes, it is not art.
A work of art which did not begin in emotion is not art.
Art evokes the mystery without which the world would not exist.
If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all.
History has remembered the kings and warriors, because they destroyed; art has remembered the people, because they created.
Drawing is not what you see but what you must make others see.
Desire is not what you see, but what you imagine.
When we build, let us think that we build forever. Let it not be for present delight nor for our use alone. Let it be such work as our descendants will look upon with praise and thanksgiving in their hearts.
The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
When I turned 30, due to my father's heart history and my family genetics, I vowed to start seeing a cardiologist every year and just really be proactive and take my own heart health into my own hands.
Who made art history? Not the most reasonable people. The mad men did. If painting is the mirror of a time, it must be mad to have a true image of what that time is. To one madness we oppose another madness.
As the spiral of modern art history continues to wind down, we can see the increasing demand for tradition in the visual arts.
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