Every form of art is another way of seeing the world. Another perspective, another window. And science - that's the most spectacular window of all. You can see the entire universe from there.
Art is ultimately schizophrenic.
Marketing of art is, and to my mind has always been, trendy. Unfortunately, that doesn't mean there is any real long-term value. As an artist I do what I like. As a collector I collect what I like.
I think art is, unfortunately, sometimes our only shot at communicating our indignation safely and effectively.
While it is true that commercial art is always in danger of ending up as a prostitute, it is equally true that noncommercial art is always in danger of ending up as an old maid.
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
Vincent van Gogh was sane when he painted that piece of art, because when you you feel the mania and depression, you have all the heaven and hell your heart has ever experienced that you can tap into, to be able to create something that can last several lifetimes.
Art is about freedom of expression, and should not be molded to fit any propaganda or lofty ideal.
Art is about people. I think the discussion about whether architecture is art or not is lamebrain.
The difference between fashion and art is that fashion is art in movement.
It's about communication, no matter how impossibly hard your art is to understand and how much of an ivory tower or high horse you get on, it's still basically communication or why are you doing it?
Making art is nothing but risk, always. If it's not risk, it's no good.
Art is more to do with observation than invention.
When I go to China I see many artists whose work reflects on aspects of contemporary popular culture but obviously the history of Western art is not part of their own tradition.
What I love in art is that it takes known combinations and reorders them in a way that sheds light on something that they have never seen before or allows to consider the world in a slightly different way.
All art is self-portraiture.
I think didactic art is boring. I mean, I love it in terms of, like, some of the historical precedents that I've learned from. You needed that. We needed those building blocks in terms of - you know, when I look at a great Barbara Kruger, for example, and you're thinking about, you know, the woman's position in society - you know, she found a way of making it beautiful, but at the same time it's very sort of preachy, you know what I mean?
I think what's really interesting and useful about this question is that ultimately all art is a type of self-portraiture. And so in the act of identifying yourself, you're using others to get to that point. And so you're parsing out different aspects of different people in the world. You're choosing not only from America but increasingly globally different aspects of what's out there.
Art is arbitrary but it sort of reveals itself to be right or wrong anyway.
The fact is, art is alive. It's moving around. It's alive.
Martial arts is the kind of action that does tie in well to the supernatural.
Art is fantastic, but it's also that you come to Paris, you call me, I come to New York, I come to visit you, we hang out together, and that's art.
A series is a big deal, and there are a lot of people out there writing stuff that don't know what art is.
Art is really about how you capture different things you see around you and bring them into forms and words and shapes and meaning.
I think every writer has their waves of inspiration and their ways of doing things. But writing is very difficult for me. It's something I haven't practiced as diligently as my visual art. I've been doing visual art because I think it's easier for me to construct, whereas words are very difficult.
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