Everything will be art and nothing will be art, because everything, as I believe, already is.
There's a wide range of sales ability: there are many gradations between novices, experts, and masters. There are even sales grandmasters. If you don't know any grandmasters, it's not because you haven't encountered them, but rather because their art is hidden in plain sight.
Past art is subject to change.
Art is all about becoming a name, a brand; it isn't based on talent or creativity.
Performance art is really about the sociology of the artist, where ideas come from, and the confluence of those ideas.
I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
What fiction and art can do, particularly narrative art, is construct consciousness - in a sense, we have to do it for the first time, every time.
I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.
The act of recording requires you to look at and handle and touch things, so yes - art is more than just looking and recording. It's messy and time consuming and people might fall in love and get hurt.
I think so much of art is unconscious anyway, the artist doesn't know the real reason they're doing it. They're just kind of going along with it intuitively.
Art is one of the few places where you can put it in a constructive way where it won't burn you up inside or hurt anyone.
If you think art is a competitive forum, then you're going to stop doing it if you're not good. But if it's not competitive, it's something that you'll keep doing.
Growing up, I didn't have a family of creatives. I didn't have knowledge that becoming an artist was an option. I'm not from a wealthy family, and when you come from those circumstances, doing art isn't really an option.
I don't think art is in danger of dissolution or disappearance, and we don't trust enough in its ability and power to create critical consciousness as much as we think we do.
Some poems are art because of their passion.
I think the benefits are tremendous, and the power of accessibility in art is one of it's most explosive and insidious attributes.
I'm not belittling the art world. Not at all. I take it quite seriously, actually. But the logic of art is a vanguard logic that pressures art to incorporate the quotient of risk.
I think all art is subjective - that whoever's watching it or listening to it will decide whether it's good or bad.
I don't really know what people's perception about Palestinians.All art is to better life. We want to create hope and share with others. Create more pleasure, and object to despair. Really it's about that. A space where we can be less aggressed upon.
We poets don't tend to be certain a lot. Much of our art is made out of our own uncertainty. And there is a not-knowingness, I think, that leads us back to suffering humanity with a more compassionate vision than most of our politicians have.
Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly. Twitter, videos posted online - how do you utilize that? How do you identify yourself as an individual when you're sitting at this massive dinner table of the world with everyone on, from Kansas to Dubai?
I really believe in constantly trying to find and support new ways of watching independent art, because the old ways are not working as well.
asically, we got to know other and openly trade stories, and had some time to prep. As far as the 'going too far' thing, the great thing about film art is that you can go too far, and with multiple takes nobody has to see it.
Art is about asking questions and engaging a dialog. By challenging or investigating conventions contemporary art helps promote an on-going sense of discovery, contemplation, and understanding. I think these are all important things.
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