If people were able to be convinced that art is precise advance knowledge of how to cope with the psychic and social consequences of the next technology, would they all become artists?
Society takes what it wants. The artist himself does not count, because there is no actual existence for the work of art. The work of art is always based on the two poles of the onlooker and the maker, and the spark that comes from the bipolar action gives birth to something - like electricity. But the onlooker has the last word, and it is always posterity that makes the masterpiece. The artist should not concern himself with this, because it has nothing to do with him.
Art is a part of the rebellion against the realities of its unfulfilled desire.
The easiest way to do art is to dispense with success and failure altogether and just get on with it.
Art is the attention we pay to the wholeness of the world.
One of the most obvious uses of literature, I think, is its encouragement of tolerance... Bigots and fanatics seldom have any use for the arts, because they're so preoccupied with their beliefs and actions that they can't see them also as possibilities.
Everything will be art and nothing will be art, because everything, as I believe, already is.
Life being all inclusion and confusion, and art being all discrimination and selection, the latter, in search of the hard latent value with which it alone is concerned, sniffs round the mass as instinctively and unerringly as a dog suspicious of some buried bone.
Past art is subject to change.
Art is always subject to change in a moment by somebody who's strong enough to shed new light on it.
Performance art is really about the sociology of the artist, where ideas come from, and the confluence of those ideas.
I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
What fiction and art can do, particularly narrative art, is construct consciousness - in a sense, we have to do it for the first time, every time.
Art is one of the few ways we have of dealing with things that frighten or anger us.
If you think art is a competitive forum, then you're going to stop doing it if you're not good. But if it's not competitive, it's something that you'll keep doing.
Art is something that everyone should be able to have access to.
I don't think art is in danger of dissolution or disappearance, and we don't trust enough in its ability and power to create critical consciousness as much as we think we do.
I'm very interested in the materiality of language. I wonder if, perhaps, this comes from my background in the visual arts. I was a potter for a number of years and earned a BFA in art before going to graduate school for creative writing.
I think the benefits are tremendous, and the power of accessibility in art is one of it's most explosive and insidious attributes.
There's a kind of perverseness or betrayal in that idea that art is somehow superior to life. Or that it's more important to write well than it is to take out the garbage.
Everywhere I've been, from South Africa to Brazil, people are connected to it. For me, art is a way to bring people together. You can put people on the same level, the perception is the same. You can bring a worker, like a cleaning guy, or the richest guy on earth, and they will have the same feeling or they would be able to feel the same.
Writing about something specific, in my mind, was overwhelming, so I wrote about art because I love art and I know I can say a couple of funny things about art.
We poets don't tend to be certain a lot. Much of our art is made out of our own uncertainty. And there is a not-knowingness, I think, that leads us back to suffering humanity with a more compassionate vision than most of our politicians have.
The most important thing in art is taste.
The job of the art is to really convey and support that empathetic response. I always try to find where the character is mushy, and then bring that to the forefront.
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