New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
Human life itself may be almost pure chaos, but the work of the artist is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning.
I don't have a normal job, so I really appreciate having friends who are writers and artists. It's fun to have a group of people you can call in the middle of the day to go for a hike.
I think feminists are unaware of the tremendous extent of the role of women in history.
But the one thing you should. not do is to suppose that when something is wrong with the arts, it is wrong with the arts ONLY.
We moved into the back, made it into a little 50s sitting room and started to sell the records. We had an immediate success. For one thing, these Teddy Boys were thrilled to buy the records.
But, having a perfume and license, in general, is a financial necessity. A designer must, to reap back the money spent on prototypes and all that sort of thing.
The young Japanese, especially, love to wear the latest thing and when they come to London they head for my shops as part of what they want to find in Britain.
I don't think that I'm a top 40 artist in any way. So I don't think I'm that mainstream.
I've never been able to understand where great artists come from.
There's this thing called compulsory licensing law that allows artists through the record companies to take your music at will without your permission.
Hip-hop is such a disposable art form from a business standpoint. It never treats its artists as art; it never treats its product as art.
The art world can be very intimidating because it's just so vast. You talk to people who are really clued in to all the young artists and coming into it you're never going to be able to catch up immediately, even though there's pressure to.
I'm not an artist that makes singles, I'm an artist that makes albums, and it's a totally different thing.
With the new ways of getting music out, you don't need a label if you're a legacy artist.
Elvis might have compromised his musical style a bit towards the end, but that doesn't mean that artists from the rock n' roll/folk-roots culture - of which he was not really a part - shouldn't get better as they get older, like the great jazz or blues artists.
I didn't have to be a pop singer with a certain look. When I started, there was really a revolution in natural artists with blues and folk artists crossing over; otherwise, I wouldn't have been able to get started.
I'm sure I would have been considered a more significant artist if I was a singer-songwriter. It's just not the way I roll. I love being a curator and a musicologist. People write me letters and thank me for turning them on to Fred McDowell and Sippie Wallace, and that's partly my job this time around.
Artistic tricks divert from the effect that an artist endeavors to produce, and even excellent elements such as bullets, arrows, brackets, ornate initials, are at best superficial ornamentation unless logically employed.
The worth of a civilization or a culture is not valued in the terms of its material wealth or military power, but by the quality and achievements of its representative individuals - its philosophers, its poets and its artists.
You don't see a lot of black rock stars. The music industry tends to be segregated stylistically. It's hard for a black artist to cross over to rock music.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
I don't think I'm in any position to call myself a martial artist. I'm a student of the martial arts.
Iconic artists are never straight ahead. Michael Jackson loved Elvis and Burt Bacharach, and uniquely blended both of them into what he did.
Luxury is the wolf at the door and its fangs are the vanities and conceits germinated by success. When an artist learns this, he knows where the danger is.
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