Life with another person is always difficult.
Many incredible artists die before they were famous.
My life was pretty rough.
People accuse artists of being narcissists - of course we are! If we don't like ourselves, who's going to like us?
The 1960s were about releasing ourselves from conventional society and freeing ourselves.
We artists have the dignity to tell the truth to the people, unlike politicians.
What we do really affects the world. Most of us think we can't do anything, but it really isn't true.
Why do they cover Paul's songs but never mine?
Women artists are still treated differently from men.
In the '60s, people were still very protective of each field that they belonged to. Avant-garde artists didn't know about rock or pop or jazz. And the jazz people of course didn't want to know about any other music. They were all just kind of protecting their territory.
Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.
You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!
If a Korean artist reaches to the top, we're all ready to stand up and applaud for him or her.
It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
Any 'artist' makes a living by expressing what others can't - because they're unaware of their feelings, they're too afraid to express those feelings, or they lack the skills to communicate and be understood.
Art has two constant, two unending concerns: It always meditates on death and thus always creates life. All great, genuine art resembles and continues the Revelation of St John.
The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.
Artists are the monks of the bourgeois state.
I met Robert Crumb in 1962; he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance.
At my second record label, they told me and other female artists that some of us were going on the chopping block. I was 19... and it was devastating.
I don't think you can spend too much time as an artist believing what other people think.
I don't believe in accidents. There are only encounters in history. There are no accidents.
If there were only one truth, you couldn't paint a hundred canvases on the same theme.
Disciples be damned. It's not interesting. It's only the masters that matter. Those who create.
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