Eventually, with success, I started to feel more and more isolated - like I didn't have a community of artists.
The worth of a civilization or a culture is not valued in the terms of its material wealth or military power, but by the quality and achievements of its representative individuals - its philosophers, its poets and its artists.
You don't see a lot of black rock stars. The music industry tends to be segregated stylistically. It's hard for a black artist to cross over to rock music.
Our job as the game creators or developers - the programmers, artists, and whatnot - is that we have to kind of put ourselves in the user's shoes. We try to see what they're seeing, and then make it, and support what we think they might think.
A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.
I don't think I'm in any position to call myself a martial artist. I'm a student of the martial arts.
And I think it's because good cons are all based on the victim's need, and the successful con artist is the one, I guess, who can exploit that. I remember reading something about this, that one of the great traits of confidence tricksters is the level that they flatter their victim.
Artists are losing the choice to use film. People have a love for it - the grain, how it feels, the texture.
Art, whose honesty must work through artifice, cannot avoid cheating truth.
As artists, I think that one of the good qualities we have is that we're imaginative. We're resourceful. We like challenges.
I want to be an artist, an actress with integrity, and that includes all kinds of parts.
I want to be an artist, not... a celluloid aphrodisiac.
If the audience knew what they wanted then they wouldn't be the audience, they would be the artist.
Filmmakers and artists always thrive during more liberal times.
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
I'm a liability to them - I'm a woman, I'm empowered, I'm an artist. I've had executives who can't come to my shows they're so scared of me. I've been a thorn in many people's sides just by existing.
I find as an artist if I'm not expressed relatively consistently, I get really depressed.
I'm excited about there being more of a sisterhood these days. Back in the '90s there was a lot of hate - the women I looked up to as artists were dissing me! It's not so patriarchal these days - there's more love and a lot less hate!
The '20s ended in an era of extravagance, sort of like the one we're in now. There was a big crash, but then the country picked itself up again, and we had some great years. Those were the days when American believed in itself. I was happy and proud to be painting it.
I never imagined I'd be a solo artist. And now I couldn't imagine being part of a group.
I began to go to concerts when I was 12 years old. And I would stand there, the small imp that I was, and I would expect the world to be laid before me by these artists, and in some cases it was. So when I climbed onto the stage, I always imagined that I was singing to somebody who was similar to how I had been.
When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
Eisenhower had about the most expressive face I ever painted, I guess. Just like an actor's. Very mobile. When he talked, he used all the facial muscles. And he had a great, wide mouth that I liked. When he smiled, it was just like the sun came out.
In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
A primitive artist is an amateur whose work sells.
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