Every prayer is an agreement with yourself. The mind is asking the real you, which is life, to guide your decisions for every single choice that you make.
Yeah, because we wanted to go back to the original tone. It's one of the original movies like The Muppet Movie, Muppets Take Manhattan, The Great Muppet Caper. Those kinds of movies. So that was really important that we hit that tone and those have a lot of cameos in them and so Jason and I started asking people and everyone we asked just wants to do it.
Most of Emily's backstory is written out between New Moon and Eclipse. I'm reading them as we're shooting the films. I haven't read Breaking Dawn yet. It's just too crazy. There's too much going on that you need a map. I just try to focus on one movie at a time. When we were doing New Moon press, people were already asking about Eclipse. I didn't read it until I was ready to go, so that it was fresh and I wasn't jumbled with all this other stuff.
Money solves a lot of problems and when you don't have money, you've got to do all this other stuff to solve the problem. It's very hard. I would love to have not necessarily a studio because then you lose so much control but I would love to have decent independent financing where I have the freedom and I have the money to do it right, to not be asking people to work for free or to work for half the rate and not ask those favors again and again because I now owe all these people back who've helped me.
I began asking, 'How can we know Christianity is true?' Sadly, none of the adults in my life offered an answer. Eventually I decided Christianity must not have any answers, and I became an agnostic.
In studies asking why young people left their family religion, their most frequent response was unanswered doubts and questions. The researchers were surprised: They expected to hear stories of broken relationships and wounded feelings. But the top reason given by young adults was that they did not get answers to their questions.
When we encounter the world of ideas for the first time, we easily get overwhelmed. Scripture is telling us, 'Don't be distracted by the details. Cut to the core by asking, What is its idol?' Whatever functions as its God substitute will shape everything else.
I think my strength in teaching and what I get a lot of good feedback on is going towards the students and asking them what they are about. It's about putting your own personality into the work.
My son's always showing me pictures of dinosaurs and asking me what their names are. I dont know so I make stuff up: That son is a thesaurus.
I kind of feel in a way all of us will forever be asking those questions of ourselves. Who am I and how do I fit in in the world and what is all this about? Because those aren't really... there are no answers to those questions in a sense.
People say, 'Well don't you regret not having kids?' And I go, 'No, not really.' And then if they keep asking, I always say this, 'Well, you know, maybe I'll adopt.' But I don't mean that. It's just something I say to make me sound like a nicer person.
People get caught up in asking whether Americans should be going here or there. What it boils down to is the call of the Lord. If the Lord has called you to a specific area, that's where you are going to see the fruit.
I feel shabby - because I've made a name, quite a good name, out of photography. And I still find myself asking the same questions: Who am I? What am I supposed to be? What have I done?
Often what is nearest is hardest of all to see - try asking a fish to define water. Distance opens a door to revelation. When the first great distances of space were conquered by technology, a camera altered the human perspective on the Earth as radically as Galileo did when he proved the sun was the center of the universe. The ecology movement was born from a photographically altered consciousness.
Always think twice before asking anything of anyone that ends in the words, on your face.
Is it common for people to become a pothead at 40? Asking for myself.
Please reduce the expectation in your tone when asking me how my day is going.
My work from the last 25 years has been asking people to see differently.
[My mother] died a few months ago, and when she was dead I kissed her lips. For me it was a beautiful moment. From then on I started living with her, asking her from time to time if she was alright, if she was pleased with me. But these things are far greater than photography, and I probably shouldn't be speaking about them.
My mother said that when I was young I was constantly saying, Look at this - Look at that. I think that taking pictures must be my way of asking people to Look at this - Look at that. If my photographs make the viewer feel what I did when I first took them - Isn't this funny... terrible... moving... beautiful? - then I've accomplished my purpose.
The only thing I can hope the viewer will get from the work is something about the structure of the work. It would be asking too much, I think, for them to get my exact intention. But if - through the construct of language, the way things are juxtaposed - there is some sort of disruption of the way you would normally go about reaching photographic images... if that is happening, that's fine.
You should be constantly asking yourself: What do I want to say next? What do I believe in? Who am I? What is my image? To be a successful photographer, you have to have a unique point of view otherwise you'll get lost in the mix.
Photographers do themselves a disservice by talking too much about the equipment they use. Consequently people don't take them seriously as creators in their own right. When people talk to writers about their work, they ask about their ideas and inspirations. When they talk to photographers, they ask about what cameras or film they use. That's wrong - as wrong as asking a writer what pencil and laptop he uses.
People are always asking me in interviews, 'What do you think of foreign affairs?' I just say, 'I've had a few.'
I will not play just an evil part. In fact, I got offered $7 million several years ago to play the part that Faye Dunaway played in 'Supergirl.' I was kind of insulted. I was impressed with the money, but I said, 'Why are you asking me to play an evil witch? Do I come across as an evil witch to you?'
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