In theatre, the main objective is to make the art happy, not the audience!
When I got to LA and was with the James Gang, I got the opportunity to write a lot, to play in front of large audiences, make some money.
I love the theater. I love being on stage; I love the live audience. I also love dressing up and all of the make-believe.
If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entertainment.
I've passed on a lot of huge-money jobs. Money doesn't enter into the decision-making. If I do a big blockbuster, it's about how big an audience you'll get and where you can take them.
There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir.
I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.
You know...sometimes I'll be looking out at the audience and I'll be in the middle of a song, and I'll just stop dead. I'll look out at them, and think what is this... There's one thing that keeps me doing it though, I really love it, I believe in it.
I love playing the CMA Music Festival each year because it's one of the very best audiences you could hope for. It's one of the places you can perform where you know everyone there is a big Country Music fan.
My audience is often hands-up, standing and cheering and on tables and all of that kind of things.
I started out as a folk singer, and kinda got sidetracked playin' honky tonks and such, but I was always a working musician. I didn't want to be Townes Van Zandt or Guy Clark, but I wanted to play in front of their audiences, you know what I mean?
When I look at great singers like Sinatra, Bennett and (Tom) Jones, I see great performers that can really move an audience. I really consider myself a troubadour privately and a song-plugger publicly.
I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.
Everybody has they're own audience you know what I'm saying. I write rhymes and make music for the people that I fell wanna hear my music. They write rhymes and make music for the people they feel wanna hear they're music.
People wonder if the Pearl Jam audience will get into The Buzzcocks. Eddie Vedder is a big Buzzcocks fan. He used to come to see Buzzcocks before he was in Pearl Jam. If his fans like what he likes, I guess that they might like The Buzzcocks.
Well you can see that I'm still in motion. It happens that you share the music with the audience. That is the best happiness an artist can have. I'm not alone on stage but with a group of musicians. So the more the music is successful, the more the audience feel happy about the music. It's the responsiblity of an artist to make his fans happy. That is proposition. I'm always talking about proposition.
You have a tendency to just remember the bad times and bad moments. I think that often it's the way of life. Yet the rewards we got from it were fantastic and we played a lot of shows to sellout audiences in I don't know how many cities. I just think we didn't realise how insane it was until we were actually right in the middle of it and couldn't stop. We just couldn't stop.
I think there's an audience for The Wombles at almost all levels. We thought it was going to be confined to people in their late twenties, early thirties, who remembered it from before - they were maybe 10 or 12 in the Seventies when it was happening.
A military audience is kind of weird. Pretty much how you would imagine a troop of males that haven't seen a female in a long time and have been stuck in a base camp in the middle of nowhere for too long without any alcohol.
You know that certain things that you use in the film are going to be shown to audiences five hundred times before they ever sit down to watch the movie. So you have to kind of modulate what can I do to give marketing enough material but that I can still withhold certain things so that it's fresh and surprising for the audience coming to see the movie.
I am so much of a mind now to be in the audience, to watch and to experience, and to feel, rather than having to get up and perform, I want my life to be less about performing.
Put in every joke that's not a dud and then let's just start pulling the ones that work the least. You're just constantly sifting until you're left with the biggest chunks of gold. The audience also tells you what some of those chunks are. You can have your own favorites, and then, once you screen it for an audience, the audience tells you what they're entertained by. I feel like that's a big part of it.
I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants.
I look at an audience kind of like meeting my in-laws for the first time. You want to be yourself, but you still want to be somebody that they like. When I go on the stage each night, I try my best to outguess my audience.
A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: