The first audition I ever went on, I was accompanied by my mother at the instruction of my father. You have to learn how to take rejection if you really want to be an actor, he said. He had to eat his own words. I got the job.
After I began to explore what an actor actually is, I studied for three years before I had the guts to go on an audition.
When I audition for something, I don't even want to think about who the other actors are in it, who's directing it.
The audition process is always grueling. You always hope to just get offered things, and sometimes it happens and sometimes it doesnt.
A lot of auditions are not fun; they're just a necessary evil, and, if you're lucky, you have a few moments that are fun.
I was working at a restaurant in L.A. when a producer came in. He said I should audition for this movie Cellular. I did, and I got the part. It actually makes me sick to tell that story because its obnoxious.
Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.
I've never played Scots or got the chance to do my Scottish accent. I'm always trying it out in auditions, but they always say no. I'd love to act in a Scottish accent for once.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.
I've done auditions where the casting director is taking the paper out of my hand in the middle of reading.
Zlatan doesn’t do auditions.
Always my fallback is - I'm gonna move to a poor town and open a scone shop... Sometimes after some bad auditions I think, you know what - time to open that scone shop! Let's start baking.
I worked in a paper factory the week after I left school. I had loads of paper cuts all over my hands and the pay was dreadful. On my third day I was like, 'Can I leave early? I've got an audition for Coronation Street.' They said yes and I never went back.
When I was in school I would try and take all my classes early in the morning or at night so that I would have most of the day to go out on auditions.
It's like with Smallville, I'm sure those creators didn't know I had done a ton of Star Trek work. I was just the right guy for the job. Do I gravitate towards it? You do what you are best suited to do, so in me being a comic book fan and a fan of genre from my father being in Mission: Impossible and the spy genre and all that, when I go to audition, perhaps I have a leg up because I understand the universe better.
Casting is very instinctual. I really like to meet people. To me, it's about their essence more than their audition.
Whenever you take a subject you're obsessed with or that haunts you, and make a movie about it, you're converting it into work units that need to be completed. You gotta turn it into a treatment, a script, a grant application, a bunch of forms to be filled out, a shooting schedule, casting sessions, auditions, shooting, editing, music compositions, the film festival circuit, interviews even. And by the time you've finished the process you're so sick and tired by something that was once very precious to you that you're done with it.
I did my first play in fifth grade. This same fifth grade teacher asked me several years later what I wanted to do when I grew up. I knew the most fun I'd had was doing the play in her class, so when I told her that, she began to take me to local theater auditions and became my mentor and friend, and to this day continues to be.
As far as the fashion of mod 60's goes...I've always loved it. I bought a mod dress while still in college for an audition I had for Marsha Brady in The Brady Bunch Movie. It may have been a little too mod for the American 60's, but I think it worked just fine. I ended up wearing it a lot and it became one of my favorite pieces.
When I started singing as a freshman, I didn't sing for anybody - my parents or my friends. By the time I was a senior, the teacher asked me if I wanted to audition for a solo at my graduation. I was really nervous but I got it.
I feel most vulnerable when I am underprepared - for instance, if I have an audition and haven't worked through the material enough beforehand. Also, if I am running late, I feel completely vulnerable because I am usually the person who is early to everything so that I can settle down and breathe before jumping in to the task at hand.
I tried my best [on audition for X-Files], and it worked out. I got the part. So I was flabbergasted.
I'm just used to leaving and being like, "I feel like I wasted their time and I definitely wasted my own time." I often leave auditions thinking that that person is now permanently mad at me.
I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."
The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.
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