If I had a choice of having a woman in my arms or shooting a bad guy on a horse, I'd take the horse. It's a lot more fun
In film roles, I play a lot of heavies and a lot of bad guys, so I tend to be the jokester and the good-time Charlie on the set.
Children model the behavior of adults, on whatever scale is available to them. Ours are growing up in a nation whose most important, influential men - from presidents to the coolest film characters - solve problems by killing people. ... We have taught our children in a thousand ways, sometimes with flag-waving and sometimes with a laugh track, that the bad guy deserves to die.
The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?
This is nothing new. It has proved meritorious because we have gathered significant information on bad guys and only on bad guys over the years.
It has to be said that the bad guys are often more interesting than the good guys because you get to indulge part of your nature that hopefully gets subsumed most of the time. But I just like playing interesting characters, and variety's the spice of that, as it is with life, I suppose.
I was always attracted to the type of cinema hero as an adolescent growing up in Ireland. Robert Mitchum springs to mind. Later on, it was Steve McQueen to a certain extent and Charles Bronson. They're these types of grizzled characters who had one foot on the side of law and order and the other foot in the bad guy's camp.
I think audiences will always like bad guys who kill for no apparent reason. We just like to hate them.
Here's the thing. Just because you're pro-troops doesn't mean you're pro-war. And just because you're anti-war doesn't mean you're anti-troops. Just because you don't support the war people think you are anti-troops and you are a bad guy.
The nice thing about Farscape is that you got to be the good guy and still do the bad guy things.
The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.
I always loved Ponch, man. It was so much fun to be him, to put on my duds and get on that bike and bust the bad guys and help out the kids. And get the babes.
I really, really, really want to do a silly romantic comedy where I can just have a crush on the guy, trip over myself, and laugh and be goofy. I just feel like all I do is cry, sob, and fight zombies and the bad guys.
What it is coming down to is who runs the country. It's us against them. It's the good guys versus the bad guys. It's the God-fearing people against the pagans, and some of the pagans are going to church.
And lot of Asian audiences and reporters don't like me to act as a bad guy. But I think I want to become an actor, I want to try different way.
Usually action films have a formula: good guy gets in trouble, his wife dies, friends have problems, so he goes to the mountain, learns martial arts, comes back, and kills the bad guy.
You couldn't pay me enough to be a law enforcement officer. Their job is a tough job. You have to solve people's problems, you have to baby-sit people, you have to always be doing this cat-and-mouse game with the bad guys. My respect for them is immense.
Police are not all bad guys. Nobody is all bad guys.
Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.
I'm not in the leftist controlled Rock and Roll Hall of Fame because of my political views, primarily my lifelong militant support of the NRA, the Second Amendment, and my belief that the only good bad guy is a dead bad guy.
My inner motivation is to make the world a better place; the bad guy and the good guy think the same thing.
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy,' because I think we all have potential to do good things and all have the potential to do bad things.
I don't want to play a bad guy who doesn't have a bit of good in him.
Usually if you read a screenplay, no matter who's writing it, the bad guy is always written as a one-dimensional bad guy.
I never went to a John Wayne movie to find a philosophy to live by or to absorb a profound message. I went for the simple pleasure of spending a couple of hours seeing the bad guys lose.
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