I'm sure scientists would point to specific brain chemicals, but I think love is actually a kind of magic. It's what allows things to happen, people to be creative, the world to change. Great things come out of love - for other people, for art, for beauty.
We become different people and we adapt to our environments, but that doesn't have anything to do with being creative.
I think that the notion of being creative is the notion that, inwardly, you assume that many things are possible. And that you can try these things and that something will happen.
If your vulnerability has become hardened, it's very, very difficult to be creative.
If NASA were advancing a space frontier there would be challenges you've never seen before. You have to be creative and you have to patent some new idea. You get to Mars...well, how do we get the water from the soil? I gotta invent a new device that will do that. And the carbon dioxide in the atmosphere, how can we use that? Can we breathe the oxygen from the carbon dioxide?
I think the podcast is a way to keep working out, essentially. You can keep being creative on your own schedule, without having to book a gig. It's been a great way to connect to people, especially realizing there is an audience listening. They generally gravitate to my sensibility. I love it.
A young person in Africa with a smartphone has more communications technology than the U.S. president had 25 years ago. So if the tools to change the world are now in everyone's hands, then the individuals now have the power that only governments and corporations used to have a couple of decades ago. I get excited by how that increases our capacity to be creative, and how that increases our capacity to create transformative things in the world.
What about precarious labor? It's actually not the most efficient form of labor at all. They were much more efficient when they had loyalty to their workers and people were allowed to be creative and contribute - you know that what precarious labor does is that it's the best weapon ever made to depoliticize labor. They're always putting the political in front of the economic.
When you are making a lot of money people forget you are trying to be creative and they picture you laughing all the way to the bank ... especially with an action script, automatically it gets boo-hooed as being worthless. It was very difficult to hear that sort of thing and I lost a good many friends over money issues because they didn't have money or their scripts weren't selling and mine were.
I think some people need the assurance of people around them and ideas worked out in advance. I think it keeps me an edge that to be creative on the spot. You have to think of things to do when you meet people. You limit your choices from the beginning. So I don't bring a lot of lenses, cameras, all these elements that can help the picture to a shooting. You confine yourself to, say, one room and you just make it work. You become very creative in that little space. You have left a lot of other options out of the game.
I think loneliness comes with being creative, because you are obsessed with creation. And it is so satisfying that sometimes, I have noticed, I completely neglect my friends and my family, and they fall away.
My parents were always encouraging of us being creative however we wanted to be. People say, "You didn't get pressured into having to be a director?" But it's hard to be around my dad and not be curious about filmmaking, because he thinks it's the ultimate medium.
One of the things meditation gives you is creativity because creativity really comes from the subconscious brain - intuition, imagination - so it's not like you can go there and say, I'm going to go be creative now. Maybe you can, but the real way you get creativity is, you know, you're taking a hot shower and great ideas come to you from the subconscious. Essentially, meditation opens a pipeline between the conscious and the subconscious.
I think now it's the money who tells the artist what to do - it's not the artist who tells the money what to do. And things move very fast, which is hard, because sometimes you need more time to be creative. I guess no one has a loud mouth like I did. They don't dare to scream loudly what they think. But you can't take fashion too seriously. The whole thing is about giving the woman who wears your clothes some power, some fun, some service. It's great to make it as art. But first, it's a service for someone.
My advice for someone who wants to be creative but has a chronic illness is to think of something that you can do as opposed to all the things you can't do - and do that. It's just like gardening: What can grow in this soil? There's some soil you can grow roses in and some soil you can only grow cactuses in, so if you can only grow cactuses, become the best cactus grower in the whole world. Taking care of yourself is the most important thing. Find something that makes you happy. Don't get down on yourself that you can't run a 4K or dance all night long at a fun club. Give yourself a break.
The first time you have a little success, some good feedback, you start imagining having a career, or being a professional musician. But while being creative, or doing creative work, is very natural for humans, to think of that as your main occupation, that's a really important transition.
What keeps me motivated to create new music is the joy of songwriting. The joy of being creative. The joy of writing a poem or essay. Writing anything. I just love writing, whether it is music or words. I just didn't need to share it for the last 18 years. When you share it, it brings on other things, which is good.
Unless you are in a survival situation, if you allow yourself to be creative, to be thinking, to be developing, there will be outbursts. You can say, almost beauteously, when you have less time for art, you have to select your best practice.
We try to effectively free ourselves up to be creative, to think about what might be possible, to come up with truly innovative ways to enact our values-driven positions.
The more I do this creative work teaching the "Personal Creativity in Business" course at Stanford the more I realize that business is about people in groups being creative in their own way. If business creativity does not allow individual development, then it isn't sustainable. But if business creativity means people bringing out their best and developing that, then amazing things can happen - not only for the business but also more importantly for the individual and the surrounding community.
Often when people are claiming that they are not creative, they mean that they are not artists, writers, athletes, or any other media types demonstrating creativity. Or they know someone who always seems to have a lot of ideas and know that they can't match that. We all have a tendency to idolize those who create what we see in the media. I think it's better to use these people as models rather than idols, especially when these people have aspects of their lives that are similar to us. Then we can take their inspiration as we go on to be creative in our own way in our own lives.
I have two little girls, four and one. My four-year-old is obsessed with makeup, and not through me! All on her own. But ultimately I'm teaching her that it's not a necessity; it's a treat. It's a tool that you can use to transform yourself. I think that's important. You don't need the makeup. It just makes you feel fun and allows you to be creative. That's what I love about it.
You look on the Internet, and people are transforming themselves on a daily basis, and it's not a superficial thing, it's not a vain thing, and it's not an "I don't like the way I look" thing. It's people truly being creative. It's a way of making your mark and making a statement, and I love that. Beauty is making a statement in whichever way you choose to do so, and I think that's a beautiful thing.
I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.
I've always liked to write, but I never thought I could make a career out of it. I went to business school because in the '80, it was the thing to do. I thought that marketing was a way to be creative in business, but quickly learned all creative stuff happens at the ad agency.
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