'Bombay Velvet' is my first film in a trilogy about Bombay, before it became a metropolis.
More dreams are realised and extinguished in Bombay than any other place in India.
'Salaam Bombay' didn't put a halo on the poor. Instead, it said that they will teach us how to live.
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
Having plenty of living space has to be the greatest luxury in a city, and I guess in some sense Bombay is the antithesis of what living in Canada must be.
Well the Bombay film wasn't always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
Even in India the Hindi film industry might be the best known but there are movies made in other regional languages in India, be it Tamil or Bengali. Those experiences too are different from the ones in Bombay.
The thing about Mumbai is you go five yards and all of human existence is revealed. It's an incredible cavalcade of life, and I love that.
A city like Bombay, like New York, that is a recent creation on the planet and does not have a substantial indigenous population, is full of restless people. Those who have come here have not been at ease somewhere else. And unlike others who may have been equally uncomfortable wherever they came from, these people got up and moved. As I have discovered, having once moved, it is difficult to stop moving.
Here is the full list of the banned words I used: active homosexual; career women; Third World; blacks; Asians; Australasia; Bangalore; primitive African tribes; crippled; in a wheelchair; hare lip; ethnic minorities; handicapped; spinster; committed suicide; gypsies; Bombay; illegitimate daughter; air hostess; Siamese twins; Calcutta; deaf ears; illegal asylum seeker; province of Northern Ireland; grandmother; bachelor.
I was becoming addicted to Bombay. There was squalor and poverty, but I had begun to realise my good fortune and would never again forget it.
When I was in college, my brother, B.R. Chopra, who is everything to me, was a director in Bombay. He taught me filmmaking. What I am today is because of him.
I'm drinking here break motor oil and Bombay gin, I'll sleep when I'm dead.
Traffic in the streets of Bombay is chaotic at best. Riding a bicycle is a dangerous occupation. However, there are hundreds of them on the streets competing with the cars and buses and lorries because it is the poor man's mode of transport.
All I did was write it down, one word after the other, beginning and ending with the same one, Bombay.
When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog-big as a donkey. ... I think that songwriting changed when groups started spending more time in the studio. ... I've written so many songs about Englishmen, I have to go elsewhere. ... Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
Flying has changed how we imagine our planet, which we have seen whole from space, so that even the farthest nations are ecological neighbors. It has changed our ideas about time. When you can gird the earth at 1,000 m.p.h., how can you endure the tardiness of a plumber? Most of all, flying has changed our sense of our body, the personal space in which we live, now elastic and swift. I could be in Bombay for afternoon tea if I wished. My body isn't limited by its own weaknesses; it can rush through space.
And at the moment of contact, they do not know if the hand that is reaching for theirs belongs to a Hindu or Muslim or Christian or Brahmin or untouchable or whether you were born in this city or arrived only this morning or whether you live in Malabar Hill or New York or Jogeshwari; whether you’re from Bombay or Mumbai or New York. All they know is that you’re trying to get to the city of gold, and that’s enough. Come on board, they say. We’ll adjust.
I found Bombay and opium, the drug and the city, the city of opium and the drug Bombay
Some would assert that Providence was at work shaking out its pockets in Humanity's lap. Other would argue for that mindless choreographer, Chance. Either way it was a simple thing: a lost diary fell into the hands of a soul-sick war hero on a train from Bombay to Jaipur just when he'd grown tired of the scenery and needed something to keep his thoughts from the minefield of his wretched thoughts. In such mild ways is the groundwork laid for first kisses and ruined lives.
I was very happy in Bombay. I was good at school. There was no reason to change anything. I suppose it must have been some spirit of adventure, of wanting to see the world.
In the '50s, listening to Elvis and others on the radio in Bombay - it didn't feel alien. Noises made by a truck driver from Tupelo, Mississippi, seemed relevant to a middle-class kid growing up on the other side of the world. That has always fascinated me.
George Bernard Shaw of England stopped over just long enough to make one speech in Bombay, India, started a war and 100 Indians killed each other. That's what I call good speech-making. The only enthusiasm any of our speakers can rouse is a demand to kill the speaker.
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