When I was 8 years old, I made my own encyclopedia of American biography - Johnny Appleseed, Jim Bowie, Davy Crockett, Daniel Boone, Charles Lindbergh, my pantheon of favorite heroes. Then I would write my own things and sew them together and try to make my own book.
I've been a big believer in musicians turned actor, going back to Sinatra winning the Oscar for 'From Here To Eternity.' David Bowie in 'Man Who Fell to Earth,' Kris Kristofferson's been great in a bunch of films. Liza Minnelli, Barbra Streisand, Mariah Carey, I thought was great in 'Precious.
I gotta friend who spends his life, stabbing my picture with a bowie knife. Dreams of strangling me with a scarf, when my name comes up he pretends to barf.
I have seen purer liqors, better segars, finer tobacco, truer guns and pistols, larger dirks and bowie knives, and prettier women courtesans here in San Francisco than in any other place I have ever visited.
I'd been a Bowie fan before punk and used to get no end of trouble. I was always getting knocked about and having to run up the street, getting chased by people. It was horrible.
If you look at the history of popular music, the most successful musicians have started out being really marginal and esoteric. The Beatles and the Rolling Stones. Madonna. Prince. Bruce Springsteen. Fleetwood Mac. David Bowie. Public Enemy. Nirvana.
David Bowie emerged as a rock star in the late '60s. And as Ken Tucker wrote, "In the face of the hippy era's sincerity, intimacy and generosity, Bowie presented irony, distance and self-absorption. His song 'Changes' announced the arrival of a new counterculture," unquote.
[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.
The first thing that got to me was seeing David Bowie on a children's TV show, but Bowie was way beyond my aspirations. The Buzzcocks' Spiral Scratch came out in 1977 and it had a breakdown of the recording costs, then you saw Pete Shelley playing a broken guitar from Woolworths. We already had an idea of the kind of music we wanted to do, but punk showed us a way to do it.
With the groups who asked me to join them - like the Rolling Stones, Spirit, David Bowie, and Blood, Sweat & Tears - I said no right away because I was way too much into my own thing.
For Christmas when I was about four I got given 'Can the can' by Susie Quatro, so that was the first record I got. And I got Skyhooks "Ego is not a Dirty Word.... I was sorta listening to the Beatles and stuff the whole time since I was about ten anyway, then I started getting into Kiss and David Bowie at the same time
I am a big David Bowie fan.
Bowie's been a huge influence on me. I remember early on, my dad pulling out the 'Diamond Dogs' album, and the cover alone just grabbed my attention. I think I was probably around 12.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
Listen to the stage manager and get on stage when they tell you to. No one has time for the rock star bullshit. None of the techs backstage care if you're David Bowie or the milkman. When you act like a jerk, they are completely unimpressed with the infantile display that you might think comes with your dubious status. They were there hours before you building the stage, and they will be there hours after you leave tearing it down. They should get your salary, and you should get theirs.
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