I'd like to do one of those jumps they do in the movies; in a car, over a bridge, in the air with a huge explosion. It would be a final moment of entertainment.
I think also people in states like Pennsylvania know that a lot of money and effort and time needs to be spent on knitting America back together, on the bridges and the roads and the infrastructure and the education.
My wife gave me a book before we got married, Oh, the Places You'll Go!, by Dr. Seuss. She was trying to tell me something, about what I was capable of, but I didn't get it. Over time, I've sort of lived the message in that book, and I couldn't have without what golf taught me. So I put it in my bag while I played the Old Course, and on the last hole when I posed on the Swilcan Bridge, I held it up.
Playing Bridge is a pretty old fashioned thing in a way that I really like. I was watching my daughter ride horses this weekend and that is also a bit old fashioned but fun. I do the dishes every night - other people volunteer but I like the way I do it.
I don't care for music, I don't care for scenery, I don't care for women...I like bridge.
Noon-day sunshine cinema-ized the site, turning the bridge and the river into an over-exposed picture. Photographing it with my Instamatic 400 was like photographing a photograph. The sun became a monstrous light-bulb that projected a detached series of stills through my Instamatic into my eye.
I was surprised by how much of it I was in [Tron: Legacy]. I thought the character was just going to register as a smaller figure because most of what I did was with a body double, and then I would do the stand-in with Jeff [Bridges] and he would be just wearing his regular clothes.
Black folks never bungie jump. That's too much like lynching for us. I'm gonna let you tie a rope around me and push me off a bridge? You must be out your damn mind.
Natural gas is a very flexible source of energy that can help us bridge the gap between our current high-carbon economy and our zero-carbon future.
It's two things: it's totally impersonal and it's totally personal, simultaneously. That's the nature of the mystical experience of life. Everything about life is impersonal, but you have a personal experience. And the bridge between the personal and the impersonal is called prayer.
I'm a good collaborative writer. I can usually come in and add a couple lines to something, and add a riff or a B-section, or a bridge that will tie things together. I can do stuff like that. But to write a whole song, I don't have the patience for that, I guess.
If I look at my own recordings, I think generally there is a focal point within the song and often it's the instrumental bridge or a guitar solo where we try to do something unexpected, something beautiful or weird, or beautiful because it is weird. And of course I fail half the time, but yes that is the goal, to create even a few seconds of bliss, or sadness. The electric guitar is a great instrument for doing this because it is capable of surprising you. There are so many different sounds available.
I think in many ways what my films are about is that search for my grandpa's dentures: for that humanizing narrative that bridges the gap between "us" and "them" to arrive at a "we."
I have a black Grandma and white Grandma. My white Grandma lives in Fort Lauderdale, paints, and teaches bridge. She's wonderful. My black Grandma, equally wonderful, is my neighbor across the street, Bobbie, who's always insisted that I call her Grandma, and honestly, over the years she's become a real Grandma to me.
Jeff Bridges says that the reason he's one of the few stars in Hollywood whose made his marriage last for decades is that every time they think there's no more doors left to walk through in the room, they just keep looking and keep looking until they find one.
Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling... that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.
I don't watch anything. I work so much. If I see a film, it's usually that I'll go in after working 15 hours and slam in The Bridge on the River Kwai or something.
Every year my mom takes her 5th grade class on an outdoor education trip, and ever since I was born, I came with her. One thing I remember the most was this long, old rickety bridge held by two redwood trees. In order to get to the camp fire, you had to cross it. Each time I went across I made my brother carry me on his shoulders. It freaked me out sooooo much, even a little now when I think about it.
A person who thinks only about building walls, wherever they may be - and not building bridges - is not Christian.
And it would be a bit out of character. President Recep Tayyip Erdogan may have started out as a reformer, but he really enjoys being seen as a larger-than-life tough-guy figure. He doesn't go on photographed hunting expeditions, for instance. But he does have hero moments, such as when his convoy stopped in the middle of the Bosphorus Bridge and he allegedly talked down a jumper, prevented him from committing suicide.
Coming upon a space that sounds unique and incredible is just the best feeling. Sometimes, it's under a bridge or down a stairwell or hallway. Sometimes, it's pitch-black or incredibly warm or in full daylight on a rooftop. I did a shoot recently for a clothing line, Somedays Lovin. I got to stand on the edge of a cliff overlooking the ocean and play my guitar basically all day. It felt endlessly powerful.
Lagos was a city that had been turned against itself. There was a bridge that became the perfect trap for crimes, which began with nails being scattered to cause flat tyres. If the driver stopped, the car would be dismantled in 20 minutes and the parts thrown overboard [to people waiting below]. The system had turned into a kind of destructive device that could be used against people. That was the narrative.
Donald Trump does represent a smashup of Washington D.C. He represents a total leveling of everything that people are angry about. And he has Ivanka [Trump]. And I must say, she was there last night, and she is the generational bridge that he needs, because Marco Rubio, the "children of Reagan" line is a good line.
I have put together resources from the private and philanthropic communities to help provide a bridge because you've got to get the federal money. You've got to get the state money, but I'm going to do everything I can. And I will be with Flint all the way through this crisis in whatever capacity I am.
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