I love London, I love the British people.
My mother's family came from the British West Indies. And my father's family came from, well, my father's father came from the Montana/South Dakota area. They were Blackfoot Indian.
I was an opponent of Saddam Hussein when the British and American governments and businessmen were selling him guns and gas.
In the 1970s, British food was beginning to get good, whereas in France it was just starting its long, sad decline. My most memorable meals, however, have been in Italy.
My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man.
The Billy Carter of the British monarchy.
I don't want to hear of any of you men getting into any fights with the British. But if you do, you'd better not get whipped.
If there be a God, I think he would like me to paint Africa British-Red as possible.
Maya Jasanoff's Liberty's Exiles places the loyalist experience and the aftermath of the American Revolution in an entirely new light. Alongside the Spirit of 1776, Jasanoff gives us the Spirit of 1783, dedicated to remaking the mighty British Empire, and then offers a stunning reinterpretation of the Loyalists' complicated role in that remaking. Her meticulously researched and superbly written account is historical revision at its finest, and it affirms her place as one of the very finest historians of the rising generation.
I studied in Britain and spent great moments of my life there as a student living in Belsize Park. I admire the British trait of the stiff upper lip in the face of adversity. My wife studied in Britain too and both of us have many friends there.
Obviously it's my second senior event, and I'm tired obviously coming back from the British Open, from surgery, which was priority No. 1, did that successfully, and each week since the British Open I've felt in pretty good control of my golf game.
You see, before I became prime minister, the Australian prime minister only attended ever two meetings in the world: the British Commonwealth Heads of Government Meeting and the South Pacific Forum.
There's definitely a pattern of great British shows that get reinvented in America and do really well here, but I think 'Torchwood' is a bit different. It's more of a hybrid that doesn't exist as a reinvention.
I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen.
Only when I came to America did I think of myself as British.
It is not easy to get parts in mainstream films for most people of color. Hollywood and British writers are not writing parts for us, or the directors are not interested in casting us in parts that are color-blind.
I think American guys tend to be a bit more forward, a bit more chatty and open than the Brits. The Brits seem to have a darker sense of humor, though I have met some Americans who have adopted bits of the British dry sense of humor as well.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I always joke that I'm a British actress trying to break into Scandinavian TV.
I like reflecting the culture I understand best, spotting the idiosyncrasies of British people and revealing them to an audience in a way that amuses is what I find fun.
When I was 13, listening to Choice FM, I would listen to a lot of R&B from America, and whenever a British person tried to do it, it didn't really work, they just sounded like they were trying to copy that whole style. Now the music sounds British, something real rather than an imitation.
I like everything European. Even my GPS has a British accent - it's way less annoying than the American one.
The British are so funny.
I find a difference in British spy fiction and American spy fiction. In the American version, it's more militaristic, partly because the CIA has more of the military makeup. Whereas MI6 is more of a cerebral, intelligence-based, relationship-based service, i.e., all they do is recruit people to get information out of them.
Being a fan of authentic Dada, I find today's art - what I call 'Bankers' Dada' - mind-numbingly dull. The most challenging work I've seen of late is by The British Art Resistance. Their document, 'A Call for Heroes in an Age of Cowards', is apt in these days of witless chancers.
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