Broadway Quotes - Page 20

• I learned how to get rid of the Southern accent when I was, like, 11 years old and living in New York for the summer doing modeling and commercials and auditioning for Broadway. The mother I lived with for the summer taught me how to drop my Southern accent.

  Nikki DeLoach

  Summer, Mother, New York

  "Q&A: The Beautiful Nikki DeLoach of "Awkward"". Interview with Matt Goulet, www.esquire.com. April 17, 2013.

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• When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.

  Charles Kimbrough

  Prayer, Character, Night

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• One of the things I find very little of in America - and certainly not on Broadway - are plays with political attitudes.

  Michael Lindsay-Hogg

  Attitude, Play, America

  "Biography/ Personal Quotes". www.imdb.com.

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• I thought that I'd always just do Broadway, my original plan, but that was derailed.

  Toni Trucks

  Plans, Originals

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• I want to do a big Broadway musical, at some point. I would love to do that. To do something there would be super-cool.

  Lara Pulver

  Musical, Would Be, Want

  "Lara Pulver Talks Season Two of SHERLOCK, Making Her American TV Debut on TRUE BLOOD, and More". Interview with Christina Radish, collider.com. May 3, 2012.

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• I grew up going to musicals with my mom here in New York, going to Broadway. I used to be in musicals in high school.

  Sharon Van Etten

  Mom, New York, School

  "Without Her Happy Hookers". Interview with Sharon Van Etten, www.interviewmagazine.com. May 27, 2015.

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• New York. It's home to opera, Broadway, museums, the ballet and orchestra - everything that I love. The most real people in the world live there.

  Kristin Chenoweth

  New York, Real, Home

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• I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.

  Carey Mulligan

  Couple, Disappointment, Character

  Source: collider.com

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• For the record, if you're not a stage actor, climbing onto Broadway and tackling something like David Mamet is not an easy thing to do.

  Jeremy Piven

  Climbing, Stage Actors, Records

  Source: collider.com

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• I think... you know, collaboration, in general - no matter movies, television or Broadway - is offering of what you can bring to the table and also fighting what you think the important battles are. Not everything is going to make it in there. Not everything is going to work. You have to collaborate. And you have to be a good listener.

  Kristin Chenoweth

  Fighting, Thinking, Offering

  Interview with Pat Cerasaro, www.broadwayworld.com. October 2, 2010.

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• Christopher Walken was probably the most experienced dancing partner I've had in movies, because he has the same background as I do. He's from theatre, Broadway and off-Broadway, and we both shared that.

  John Travolta

  Dancing, Theatre, Partners

  Source: www.indielondon.co.uk

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• Intimate singing had a wonderful style in the '30s and '40s. It came out of Broadway and the jazz of Louis Armstrong and Billie Holliday. But Sinatra created the best romantic era that we've ever had.

  Tony Bennett

  Romantic, Music, Style

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• If Broadway was a river running from the top of Manhattan down to the Battery, undulating with traffic and commerce and lights, then the east-west streets were eddies where, leaf-like, one could turn slow circles from the beginning to the ever shall be, world without end.

  Amor Towles

  Running, Light, Circles

  Amor Towles (2011). “Rules of Civility: A Novel”, p.84, Penguin

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• Surely that little pseudo-gothic church on Broadway, hidden amongst the skyscrapers, is symbolic of the age! On the whole face of the globe the civilization that has conquered it has failed to build a temple or a tomb.

  Andre Malraux

  Civilization, Age, Church

  "The Voices of Silence". Book by Andre Malraux, Doubleday, Part IV, Chapter I, 1953.

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• There are lots of young vital playwrights who are experimenting, and these are the plays that people who are interested in the theatre should see. They should go off Broadway. They should go to the cafe theatres and see the experiments that are being made.

  Edward Albee

  Play, People, Theatre

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• I would love to do Evita or Elphaba in Wicked. But I am more excited to originate a role on Broadway.

  Yvette Gonzalez-Nacer

  Wicked, Roles, Excited

  Source: thecelebritycafe.com

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• I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.

  Steven C. Harper

  Wise, Powerful, Home

  Source: www.nerdprobs.com

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• I think everybody who was in it thought they were all going to be Eartha Kitt or be big stars. That didn't happen, but it was a wake-up call to have one's first professional job on Broadway, I must say.

  Maggie Smith

  Jobs, Stars, Thinking

  "Maggie Smith On The Pressures Of Acting: 'You Want So Much To Get It Right'". "Fresh Air" with Dave Davies, www.npr.org. February 23, 2016.

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• I think there is an evolving art taking place on Broadway.

  Hugh Panaro

  Art, Thinking, Evolve

  Interview with Pati Buehler, www.broadwayworld.com. June 18, 2008.

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• I've grown up watching and admiring Norm. Sherie actually starred in the first off-Broadway show I ever saw in New York, which was The Last Five Years. It's amazing how things come full-circle and how the community (once you hang around it long enough) grows smaller and smaller as it grows. Sharing the stage with these people is more than a dream come true it's so special. They're so warm and giving and offer the best advice. Sherie is very nice and maternal and nurturing.

  Tituss Burgess

  Dream, New York, Nice

  Source: www.broadwayworld.com

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• But if you get a kick out of "The Jerry Springer Show," you're going to love it! The idea of hearing these lyrics and profanities - like the chorus at the top of the show - the idea that we're going to hear it in Carnegie Hall is just genius. It's been written with real care! It's not some crappy little musical that somehow found its way off-Broadway with vulgar-intentions. This is really beautiful, operatic music. It has a place in Carnegie Hall.

  Max von Essen

  Beautiful, Real, Ideas

  "Max Von Essen: High-Notes in High-Heels". Interview with Eugene Lovendusky, www.broadwayworld.com. January 14, 2008.

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• There is nothing wrong with loving musical theatre, but I think that it's naive to hold it superior any other musical classification, especially since these other genres have been influencing Broadway more and more in recent decades.

  Stephanie D'Abruzzo

  Thinking, Musical, Theatre

  Source: www.broadwayworld.com

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• The Broadway schedule is so tough, so relentless there was almost no time to enjoy all the stuff.

  John Cariani

  Schedules, Stuff, Tough

  "It's ALMOST, MAINE for John Cariani!!!". Interview with TJ Fitzgerald, www.broadwayworld.com. January 4, 2006.

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• If Broadway musicals were as popular as they were in the 20s, 30s, and 40s, then people like Sufjan Stevens and Iron & Wine would be writing for Broadway, which would be amazing. As it stands, it's the worst stuff that's mired in pop music.

  Colin Meloy

  Writing, Wine, Iron

  "The Decemberists' Colin Meloy". Interview with Larry Fitzmaurice, pitchfork.com. February 14, 2011.

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• I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".

  Isaac Asimov

  New York, Diversity, Giving

  Isaac Asimov (2009). “I, Asimov: A Memoir”, p.591, Bantam

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