I went to Broadway and I've been doing some fun guest spots with 'Entourage' and 'Glee' and I'm ready to have my own show.
If you have something important to say, Broadway and New York are great places to say it.
It's every actor's dream to work in a hit show on Broadway and also shoot a television show.
I have theatre-training, I love doing theatre, I've done Broadway.
I started when I was in 'The King and I' when I was on Broadway when I was nine.
I think the thing's that perhaps sad really is that younger people haven't come in and I think it must have been absolutely fantastic to have worked in the 50's when you had all of the great Broadway composers and when West Side Story didn't win the Tony Award.
I was just on Broadway for four months, and the amount of fan mail that arrived at the theater was just overwhelming. I mean, I had no idea! I guess people suddenly had access to me and knew where to find me, so they got me there, and I was amazed.
I am still so proud to have been a part of something that introduced theater to so many people who weren't exposed to it before. We took Broadway and put it in peoples' living rooms once a week for two seasons. People still come up to me in the street and say, 'I never went to theater before I saw "Smash.'" That's the greatest compliment.
I did 'Lone Star Love' in 2007 with Randy Quaid, and that was supposed to come to Broadway at the Belasco and a marquee went up and everything... and it all fell apart, and that marquee came right down, and we got severance pay. And, it was very sad.
I'd always wanted to be on Broadway one day, but it seemed like a dream that might be unattainable. This business has a lot of ups and downs and I learned that pretty quickly.
It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.
I'm a Broadway baby, through and through. It's my first love, and it's what brought me to New York in the first place.
I do not like the Broadway theatre because it does not know how to say hello. The tone of voice is false, the mannerisms are false, the sex is false, ideal, the Hollywood world of perfection, the clean image, the well pressed clothes, the well scrubbed anus, odorless, inhuman, of the Hollywood actor, the Broadway star. And the terrible false dirt of Broadway, the lower depths in which the dirt is imitated, inaccurate.
Even when I did my Broadway show, I did 15 minutes no one had seen before, because that was the night that Michael Jackson protested about Al Sharpton bailing on him. I said, "Wow, if that man bails on you, this must be really a lost cause."
What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
Imagination bound us stronger than love. Within its limitless borders we launched ships and love affairs, discovered lost worlds, made buildings and babies, found husbands, wrote letters and Broadway plays. We made ourselves up everyday.
I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
Id like to do Broadway if the right project came along, but my mission in life is that I want to help change peoples lives.
I grew up with 'Cinderella.' So that was my go-to Disney film, definitely. It was princess-related, and coming from a smaller area in Illinois and wanting to do something greater than myself in Broadway, that was a film that I could really relate to.
The first song I ever learned to sing and play on the piano was 'I Remember Sky' when I was 10 years old. I remember thinking, This is the most beautiful song I will ever hear. And that remains true for me to this day. His music is the sole reason I wanted to be on Broadway. I wanted to sing music that transports us to the most important place one can travel, our hearts.
One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people.
I want to be back on Broadway one day. That's a dream of mine. There's nothing like live theater, and I think it's so important for me to be able to be on stage with an audience that responds.
I absolutely loved my stint on Broadway in Hairspray.
I've studied theater since high school. Of course, it's a different story altogether being on Broadway, but it's still theater, and you have to be in front of a live audience, and that's very exciting. It's something I've definitely wanted to do, but I got involved in movies and television, and then it became a luxury to get back on the stage.
I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'
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