When I talk to young people who want to go to Broadway or whatever, I say, "The highs are very high and the lows are very low and then there is a lot in between."
All my roots are Broadway. I got my Equity Card doing a Broadway show, and my first love is theater.
New York was the glamorous town that you only see now in old movies and on Broadway stages. The sky was lit up with dancing neon signs. It was safe to walk out in the streets.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
When we got off the streetcar at Times Square, it was somewhat of a letdown. Newspapers were blowing about the road and pavement, and Broadway looked seedy, like a slovenly woman just out of bed.
I was in Jacques Brel Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with Jacques Brel doing the national tour, and I picked up a guitar one day and I wrote a song.
The only thing I haven't done as an actor, other than Thai puppet theater somewhere, is act on a Broadway stage.
Broadway is really my life.
I'm excited to flex my Broadway muscles - it keeps you alive as an actor.
Jazz isn't dead yet. It's the underpinning of everything in this country. Whether it's a Broadway show, or fusion, or right on through classical music, if it's coming out of the U.S., it's not going to survive unless it's got some jazz influence.
It's always a thrill to walk through a Broadway stage door.
I want to toy around with producing a Broadway show.
My parents were in 'Brigadoon' on Broadway when I was a couple of years old.
I would love to be in musical theater and be on Broadway. If someone were to offer me a position to do something like that, I wouldnt pass it down. Im a huge fan of musicals and I really want to do that.
I was at the Apollo Theater all the time, skipping school, and I worked in a barbershop. That's how I started with doo-wop. Now I've come full circle. I did all kinds of music. I used to work on Broadway and Tin Pan Alley.
I love Broadway. And, I listen to country music, which I think a lot of people find surprising.
Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.
I would love to do Broadway again.
I went to School of the Arts in Winston-Salem, and we had a bunch of singing classes. My first job in New York was an Off-Broadway musical.
I grew up in a crazy, gypsy-like household of actors, dancers and loony Broadway people. It was their way of life, and I didn't know anything else.
People see a lot of huge stuff on Broadway, but there's always Off-Broadway energy and also shows that you can work in.
When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.
But as far as dream roles - I know this is so expected of me, but I would to play Elphaba in 'Wicked' on Broadway. I have a lot of dream roles, but that's like my main one because of the vocal track. I love belting high things!
When you're doing a Broadway show, you have no free time.
I wouldn't mind doing Broadway, but I am definitely trying to get a album out there first.
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