Death lieth still in the way of life, Like as a stone in the way of a brook; I will sing against thee, Death, as the brook does, I will make thee into music which does not die.
Now gae your wa'sTho'anes as gude As ever happit flesh and blude, Yet part we maunthe case sae hard is, Amang the writers and the bardies That lang they'll brook the auld I trow, Or neibours cry,'Weel brook the new'.
Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.
I met Mel [Brooks] backstage in Anne's [Bancroft] dressing room. He was wearing one of those pea coats, pea jackets that were made famous by the Merchant Marines, and I admired it and he said, "You know, they used to call this a urine jacket, but it didn't sell."
[ Zero Mostel] would tell anyone anything, not to be impolite, but he'd show that he wasn't at all afraid of however much money that person [had] or whatever title they had in a company. It didn't scare him. Mel [Brooks] was very much the same way.
Beside the brook and on the umbered meadow, Where yellow fern-tufts fleck the faded ground, With folded lids beneath their palmy shadow The gentian nods in dewy slumbers bound.
About Antrax by Terry Brooks: I wonder if he's planning a book called SRS? Or F'lu?
Gene Wilder made his movie debut in "Bonnie And Clyde," starred in the Mel Brooks films "The Producers," "Young Frankenstein" and "Blazing Saddles," played opposite Richard Pryor in "Silver Streak" and "Stir Crazy" and portrayed the candy-maker in "Willy Wonka And The Chocolate Factory."
I always liked Mitt Romney. He looks like the salesman who follows you around at Brooks Brothers.
All the charm of the angler's life would be lost but for these hours of thought and memory. All along the brook, all day on lake or river, while he takes his sport, he thinks. All the long evenings in camp, or cottage, or inn, he tells stories of his own life, hears stories of his friend's lives, and if alone calls up the magic of memory.
I doubt if I shall ever outgrow the excitement bordering on panic which I feel the instant I know I have a strong, unmanageable fish, be it brook trout, brown trout, cutthroat, rainbow, steelhead or salmon on my line.
When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
Scott Brooks you mean the world to me. I love you. You as a man, I never met anybody like you. So selfless. You don't take the credit for nothing, Even though you deserve all of it. I love you and your family for always taking me in, Believing in me, Texting me late at night when I was going crazy. Thank you. Thank you.
I literally wouldn't have dreamed of it in a million years that I'm going to be standing there with George (Strait) and Garth and Kenny (Chesney) and Reba (McEntire) and Brooks & Dunn. I don't really have any clue what I'm actually doing with those people because I feel like I'm still just getting started and I've seen them all in concert and they're all my heroes.
I certainly didn't have New York Jewish humor. But I was in three Mel Brooks films so people thought I was a connoisseur of New York Jewish humor.
Occasionally I do movies with other directors. I did 'The Diving Bell and the Butterfly' for Julian Schnabel. I did a movie with Jim Brooks ('How Do You Know'). I did a movie with Judd Apatow ('Funny People'). So I do get a chance to work with other people, which is always enjoyable, always pleasant. But still, Steven [Spielberg] makes the types of movies that I'm interested in as well.
Preston Sturges is one of my favorites. I learned about dialogue and timing from him - louder, faster, funnier. But I do love Mel Brooks.
I never stepped foot into a Brooks Brothers before Mad Men.
I read a lot of literary theory when I was in graduate school, especially about novels, and the best book I ever read about endings was Peter Brooks' 'Reading for the Plot. '
She stood before him and surrendered herself to him and sky, forest, and brook all came toward him in new and resplendent colors, belonged to him, and spoke to him in his own language. And instead of merely winning a woman he embraced the entire world and every star in heaven glowed within him and sparkled with joy in his soul. He had loved and had found himself. But most people love to lose themselves.
I wondered what my father had looked like that day, how he had felt, marrying the lively and beautiful girl who was my mother. I wondered what his life was like now. Did he ever think of us? I wanted to hate him, but I couldn't; I didn't know him well enough. Instead, I wondered about him occasionally, with a confused kind of longing. There was a place inside me carved out for him; I didn't want it to be there, but it was. Once, at the hardware store, Brooks had shown me how to use a drill. I'd made a tiny hole that went deep. The place for my father was like that.
[Anne, commenting on city life] "I think I would probably come to the conclusion that I'd like it for a while... but in the end, I'd still prefer the sound of the wind in the firs across the brook more than the tinkling of crystal.
You see aright. I am both Queen and Elidhu, here and there, wildfire and hearthfire, forgetting and remembrance. But do no yet speak of this, for men are impatient with such things and do not brook contradiction.
What a joy it is to feel the soft, springy earth under my feet once more, to follow grassy roads that lead to ferny brooks where I can bathe my fingers in a cataract of rippling notes, or to clamber over a stone wall into green fields that tumble and roll and climb in riotous gladness!
Shallow brooks murmur most, deep and silent slide away.
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