If you have a lot of money, you know that you can make almost anything happen, but with a smaller budget you don't have a lot of time or too many resources, so you have to conceive things in a very simple manner and make them happen fast.
I love shopping on a budget. I believe that more fashion mistakes are made by people with deep pockets than by those who shop on a budget.
I'm very budget-minded myself, and it serves me well.
Dream of a world where poverty is history, dream of a world where we don't spend those obscene billions on arms, knowing full well that a tiny fraction of those budgets of death would ensure that children everywhere had clean water to drink, could afford the cheap inoculations against preventable diseases, would have good schools, adequate healthcare and decent homes.
You see a lot of so-called architecture that part of the ego trip overpowers the functionality and the budget and all that stuff.
Actors want to work. Give them characters they want to play, or a story they want to tell, and hopefully the budget will follow.
I think one of my favorite things about making low budget movies is that when you get into expensive moviemaking territory, it's almost impossible not to reverse engineer the movies. It's irresponsible not to think about the result and the financial result. But when you make low budget movies, you can put that out of your head.
One of the reasons I really love low budget filmmaking is you don't have to think about that as much. You can have more fun and be more playful and be freer creatively.
I am trying to stay away from this position of me "returning to my roots." As if my roots are that I'm only comfortable working on low-budget, small films. That's not the case at all.
Invariably, what I'm trying to do is more ambitious than the budget, but we manage to do it somehow.
Japanese animation tends to need high budgets. If I have a high budget for a movie, I usually make animation, but if the project has a low budget, then I would ask the producer to consider live action.
It amazes me that we spend 20% of the US budget on defense and far-off wars, and not on fighting cancer, disease, and aging.
Advertising agencies don't care about a better world in the end. They are servants of their client: what the client wants is what they get. Their only problem is to not lose the budget. I think its a shame because advertising is so boring and it can be so interesting. They should ask more artists to make interesting campaigns.
There are three processes every company has to have: Somehow you've got to set strategies; you've got to have a budget, so you need an annual operating plan; and somehow you've got to do succession and people planning.
In certain areas I don't function well and in other areas I function very well. I'm very good professionally. I have good discipline, I'm able to write every day and do films and not go six times over the budget. I mean I'm a coherent person, but I also don't like to go through tunnels when I travel. I'm claustrophobic.
I do want to work on a larger scale with bigger budgets partially as a way to prove that women can do that, for sure. I definitely feel a bit of a responsibility to do that.
The budget is forward looking growth engine and will promote transparency and integrity. It is for the common people. This budget shows where we want to take India through railways. It budget aspires for better service, speed and safety. It is an effort to create modern railways contributing towards a developed India.
We are committed to achieving the fiscal deficit target announced in the budget.
The biggest problem with the independent film sector in Toronto is that they find themselves having to make that budget show on screen.
Most people don't realize that two-thirds of the federal budget is Social Security, Medicare, Medicaid, and the Pentagon. The U.S. government is an insurance company with an Army.
It is reasonable not to make any budget adjustments in the first quarter of 2015
There are certain scenes in the edit you're playing with it and certain scenes don't put back together the way you imagined. Sometimes they're better and sometimes they don't have that thing, so it's never foolproof. But you certainly get an idea that here we've got enough and we've got to move on because you're always against time and money there. Whatever the budget is, you have to get practical about it.
I'm a writer. That's who I am, at my core. I'm a writer, and then I learned production and administration, along the way. I feel like most people can learn it because production and the administration part is all about logic, and it's all about learning rules and budgets.
Another ingredient in a happy marriage: Budget the luxuries first!
In every romance you have to budget for the occasional dust-up.
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