I always wanted to play Roxie Hart in Chicago and also Sally Bowles in Kander and Ebb's Cabaret, but I have a feeling I won't now! I've also always wanted to play Maria in The Sound of Music, but don't suppose I'll ever do that either!
What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.
I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.
I always found the Chicago audience to be a smart, fast-moving, violent and cheerful lot, and it's always good to be back.
My definition of a 'friend' is, coming from Chicago, someone who says, 'Yeah, sure. You know what? Let's talk about what we can talk about. Let's help each other out. Your politics are none of my business.'
I used to go and do some sitting in with Robert Nighthawk when he were playing at the 708 Club in Chicago. He was a tremendous slideman. I never saw him do anything other than play the slide. I never just saw him just use his hand. He always used a slide. He had a little-bitty drummer we called "Shorty". He was about that high [hand gesture]. And he was his drummer. That's all he had was a slide guitar and a drummer.
I love being in Chicago.
I knew of a physicist at the University of Chicago who was rather crazy like some scientists, and the idea of the insolidity, the instability of the physical world impressed him so much that he used to go around in enormous padded slippers for fear he should fall through the floor.
I've won not just in MMA but also for the US and let me tell you, the US Greco Roman wrestler is never the guy that's the favorite, not overseas. I'm used to going into hostile countries and competing against the number one guy in their country instead of the number one guy in Chicago.
[Chicago]: This vicious, stinking zoo, this mean-grinning, mace-smelling boneyard of a city: an elegant rockpile of a monument to everything cruel and stupid and corrupt in the human spirit.
When I started, we had just the camera and the person, mostly. And if you wanted to do a dolly shot, particularly working in Chicago where I began, you'd get in the back trunk of a car, and you'd have a friend drive the car, or you'd get in some kid's little wagon that he plays with and have someone pull that for dolly shots.
The way that house music has become so white and so sanitized over the decades and the fact it's still going on, well I think it's sad really, but at the time I really loved it. I loved all the black house music that was coming out of Chicago and New Jersey, which I just thought was really soulful.
Chicago is not a bad place to live. But the usual story of immigration is the happy fulfillment of human potential in America that is not available anywhere else - it's propaganda, really. It's more complicated than that.
I think there are a lot of crazy guys that I've played with in the past. Wayne VanDorp, when I played in Chicago. He wasn't a big name, but my God was he nuts.
Working people are working even longer hours, even though we won the eight-hour workday at the Haymarket General Strike in Chicago.
There are fewer Arabs in Tel Aviv, one of the largest cities in the Middle East, than there are in Chicago, the largest city in the American Midwest. How do you accomplish such a remarkable feat of social engineering without massive violence?
I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.
I would encourage the people out in Chicago and all of us to continue to press for, that type of prosecutorial accountability.
I work under three umbrellas: entertainment, education, and entrepreneurship. Of course the entertainment fragment speaks for itself because I'm in Chicago. However, a lot of folks may not know I teach courses at Ohio State University that covers life in professional sports.
Organizer is kind of a grand term for what I was doing. I answered an ad that the Presbyterian Church of Chicago put up on college campuses. I was at the University of Kansas, and it's somewhat relevant to my life and work that I'm a Jew. But they weren't doing a religious litmus test. They wanted energetic, civil-rights-committed college students to come help them run some summer programs.
I had a fantasy as a child that I might be a writer someday. I always thought that meant you went to New York or Paris. But after that intense summer, I never thought that I wanted to live any place but Chicago. It also made me see what the stakes were in the civil rights movement. And it made me see what real hatred was like and the forms that it took. But it also made me understand how powerless ordinary people feel in their lives.
As a critic, I try to stay neutral about movies before I see them, but I really wanted "Whiskey Tango Foxtrot" to be great. It's based on a barbed memoir by Kim Barker called "The Taliban Shuffle: Strange Days In Afghanistan And Pakistan." And its stars Tina Fey, out of her comfort zone, just as Barker was a fish out of water when, in 2004, she began covering the Afghanistan occupation for the Chicago Tribune.
My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work.
There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
Whether the people in Haiti, the young kids in Chicago that [are] going through violence, or whether you're in Atlanta or L.A. or Europe - it's not even color barriers for me - I go to where I know there's a lot of turmoil and pain.
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