I lived in Chicago, in a shady part of town, and the cops would always stop me since I'm Mexican and I look like the other dudes. Style played a part in it. You're not really going to dress in a suit in a tie.
Dubai was brilliant, they looked around the world. They saw Hong Kong, Singapore, New York, Chicago, Sydney, London all ran British common law. British common law is much better for commerce than is French common law or sharia law. So they took 110 acres of Dubai soil, put British common law with a British judge in charge, and they went from an empty piece of soil to the 16th most powerful financial center in [the] world in eight years.
I can't stand being in Chicago anymore and hearing the Brahms Violin Concerto in the elevator. Because that shows me that when they come to the concert hall they listen to it in the same way.
I live in a beautiful vintage building that was built in the heart of downtown Chicago.
It's hard to get up for a good high-school team like the Chicago Bulls.
The Chicago mobs... They practiced their own perverted form of "survival of the fittest." Where the strong clawed their way to the top of a criminal empire. And the weak died in a hail of machine gun bullets.
I grew up in Evanston and lived in Chicago for a long time, in Old Town and Wrigleyville. I did three films when I was in high school. The first was 'Class,' with Rob Lowe. I had a supporting role in that.
I was never a joiner. I tried - I had people I admired and liked and wanted to hang with, but I ended up starting a theatre company and that took me back to Chicago... I guess I wasn't a scenester in the end. Something must have worked out right, as I'm still here - but I'm only a binge socialite.
There are many things I'm looking forward to in 2013, both personally and professionally. Plans for new restaurants in the U.S., including Eataly Chicago, are underway, and I'm gearing up for the 2013 Ironman world championships in Hawaii - if I'm lucky enough to get a spot!
I came up in the community center. I used to be physical director of the South Central Community Center in Chicago on 83rd. It's still there. It used to be around there when I was a kid.
I love Chicago. I got on a bus and asked the driver, Do you go to the Loop? He said, No, I go beep-beep!
I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I'd never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.
I got a little studio in Chicago and practiced. I realized I had to earn some money. So I went to work for an advertising agency where my job was mostly drawing insects for a company that sold an insecticide spray.
I knew I had to take my ambition more seriously, so I enrolled at the Art Institute of Chicago. Then, in the fall, I went on a tour of my own. I didn't go to New York because that was too well known for its art scene.
That has to come to an end and end now. No citizen is a second-class citizen in the city of Chicago. If my children are treated one way, every child is treated the same way.
I ended up working on "Chicago Hope" and other things, but always with the idea that, eventually, I would want to take what I'd learned in character drama and try to apply that to the genre that I love, which is science fiction and "The Twilight Zone" type mysteries.
It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play.
I was in a real conservative area just outside of Chicago recently. And this guy's like, 'Hey, Arj, you're from San Francisco. Are you in favor of gay marriage?' I was like, 'Well, I'd like to get to know you a little bit better first. I don't know what ever happened to buying a guy a smoothie and seeing what happens. That's how we do it back home.
Chicago gave me more music than any other city in America.
I'm only involved really right now with the Art Ensemble of Chicago and the Brass Fantasy.
I love Korean food, and it's kind of like home to me. The area that I grew up in outside Chicago, Glenview, is heavily Korean. A lot of my friends growing up were Korean and when I would eat dinner at their houses, their parents wouldn't tell me the names of the dishes because I would butcher the language.
I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
When I was nine years old, living on the south side of Chicago, my father was a minister and my mother used to scrub floors. I had seven brothers and four sisters. I told my mama, 'One of these days I'm going to be big and strong and buy you a beautiful house.' That's all I've ever wanted to do with my life, is to take care of my mother.
When I start to think about all the things, I'm doing sometimes I just have to thank the man upstairs. Because I'm doing the morning show here in Chicago 5 days a week, and I have the syndicated radio show that's been going on now for several years. In addition we are in the midst of taping 13 episodes of a television show-The Legends of Jazz: The Masters of jazz on PBS-TV.
I have seen, the desperation and disorder of the powerless: how it twists the lives of children on the streets of Jakarta or Nairobi in much the same way as it does the lives of children on Chicago 's South Side.
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