Social media has changed everything in our world. The collective humanity, as it was, has such a voice these days, and that's never really existed before.
I think we need to find a way to provide people with a reason that the average man on the street can grasp and embrace, that would cause him to move away from the centuries-old idea of the individual and individualism, and move toward a different concept of what it means to be human in a collective society. Unless he has that reason, unless he has a fundamental reason to do that, it's going to be very difficult to cause him to make that shift, in my view.
If it true that perception is reality, then what is shown on TV is that part of the collective consciousness known as Public Knowledge, that is, the fragment of reality which the mass of people acknowledge to be true.
In the second half of life, the questions become: 'Who, apart from the roles you play, are you? What does the soul ask of you? Do you have the wherewithal to shift course, to deconstruct your painfully achieved identity, risking failure, marginalization and loss of collective approval?' No small task.
Just because we're on schedule is no reason to shoot bad acting. Someone once said to me, 'You're inconsiderate.' And I said, 'Inconsiderate? Bad acting is the ultimate inconsideration.' It's a collective slap to a million faces at the same time.
Architecture is a rare collective profession: it's always exercised by groups. There is an essential modesty, which is a complete contradiction to the notion of a star.
It is true that one of the first acts of tyrants is to erase history, to wipe out the recorded memory of a people. With that in mind, it's important to remember that the work that we do as writers, artists and performers will form an essential part of the collective memory that future generations will draw upon. And so we owe it to those future generations to defend that memory and be honest witnesses to our times.
The principle of collective leadership is elementary for a proletarian party and for a party of the Lenin type. Nevertheless, we must emphasize this old truth, because for about 20 years we have had practically no collective leadership; there flourished the cult of the individual which was condemned first by Marx and then by Lenin. And this, of course, could not but reflect negatively on the position of the party and its work.
The secret of literature, which conventional people don't guess, is that writers are forever looking for the surprising revelation - not for reinforcement of collective wisdom.
A line is an involuntary combination of people who are simultaneously irritated with one another and focused on a single, common circle of interests and goals. This leads to a mixture of rivalry, hostility, and collective sentiment, a constant readiness to close ranks against a common enemy - anyone who breaks the rules.
Without collective awakening the catastrophe will come. I think people in the mass media, journalists, film makers and others, you can contribute to the collective awakening if you are awake and then your life will embody that awakening.
I sincerely believe that the collective efforts of many secularists during the past generation, resulting in the expulsion from our schools and from the public square, has left us vulnerable.
Individual efforts can bring excellence but only collective efforts can deliver effectively.
In a regime of Free Trade and free economic intercourse it would be of little consequence that iron lay on one side of a political frontier, and labour, coal, and blast furnaces on the other. But as it is, men have devised ways to impoverish themselves and one another; and prefer collective animosities to individual happiness.
Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.
Global challenges require collective responses.
America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.
An ideology can provide a satisfying narrative that explains chaotic events and collective misfortunes in a way that flatters the virtue and competence of believers, while being vague or conspiratorial enough to withstand skeptical scrutiny.
The problem with using force in our lives is that we always create a counterforce. For example, If you're with a child and the child says, "I hate you," which is a very low energy, and you respond with, "I hate you too," you have lowered the collective energy that you are both in, and both of you will he weakened. Whereas, if you respond to, "I hate you," with love, which is what, instinctively, we know what to do, then we can dissolve and dissipate that hatred.
In the name of economy a thousand wasteful devices would be invented; and in the name of efficiency new forms of mechanical time-wasting would be devised: both processes gained speed through the nineteenth century and have come close to the limit of extravagant futility in our own time. But labor-saving devices could only achieve their end-that of freeing mankind for higher functions-if the standard of living remained stable. The dogma of increasing wants nullified every real economy and set the community in a collective squirrel-cage.
It was with the Industrial Revolution, as society plunged ever more eagerly into the conquest of material riches and bent all its energies to the accumulation of goods, that material poverty became a major problem. Obviously, this meant abandonment or downgrading of spiritual values, virtue, etc. To share or not to share in the increase of the collective wealth-this was the Number One question. It was the desire to acquire wealth that prompted the poor to start fighting.
I think that every collective that you witness occurring on a stage, it's not about any one of the individuals. There's something that's happened that's kind of put all that stuff together into a much bigger result ... some alchemy.
Whatever character our theology may ascribe to him, in reality God is the infinite ideal of Man, towards whom men move in their collective growth, with whom they seek their union of love as individuals, in whom they find their ideal of father, friend and beloved.
I define "politics" as the on-going collective struggle for liberation and for the power to create - not only works of art, but also just and nonviolent social institutions.
I feel like I've gotten an extraordinary opportunity to experience a sort of collective humanity. If you hug many people in such a short period of days you pick up on a communal energy, almost like feeling a giant heartbeat that everyone is beating together.
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