The divisions of Perspective are 3, as used in drawing; of these, the first includes the diminution in size of opaque objects; the second treats of the diminution and loss of outline in such opaque objects; the third, of the diminution and loss of colour at long distances.
Painting is concerned with all the 10 attributes of sight; which are: Darkness, Light, Solidity and Colour, Form and Position, Distance and Propinquity, Motion and Rest.
When you see a fantastic colour or cut in a magazine, perched up on some famous so-and-so's head, it's tempting to ask your stylist for the same, but DO NOT BE FOOLED. The hair in those fancy photos can be very high maintenance.
I have improved the way in which I paint. The colours are cleaner and there is more energy in the brush work.
Full, saturated colours have an emotional significance I want to avoid.
I don't think people need to know what colour socks I'm wearing today; I don't think people need to know what shower gel I'm using. There's too much information in the world, and there's no magic or mystery anymore.
The eighteenth-century view of the garden was that it should lead the observer to the enjoyment of the aesthetic sentiments of regularity and order, proportion, colour and utility, and, furthermore, be capable of arousing feelings of grandeur, gaiety, sadness, wildness, domesticity, surprise and secrecy.
I have sat here happy in the gardens, Watching the still pool and the reeds And the dark clouds. . . . But though I greatly delight In these and the water lilies, That which sets me nighest to weeping Is the rose and white colour of the smooth flag-stones, And the pale yellow grasses Among them.
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
Public service does not necessarily mean service in the House of Commons, and public service is not synonymous with partisan political activity. It comes in a thousand colours, but the common denominator is: it's not about me - it's about we.
Impressionism came about because it suddenly became apparent that pure colours mix in the eye in a more dazzling way than they have ever been mixed in paint.
Imagine a glorious full moon coming over the tops of the spruce, big and yellow, shedding a mysterious light on everything... the moonlight had colour, you could see to paint and be able to appreciate the colour of things.
What I would like in my painting is simply a spray of colour that hangs like a cloud, but does not lose its shape.
GEJ is the only president in recent years who did not allocate a single oil bloc to anybody, not to talk of himself. And these are the areas where you can tell corruption in its true colour. He did not allocate oil bloc to himself, family or friends up till now. He also did not give a single marginal field to himself or anybody else even though he is the only president that comes from the Niger Delta where the oil is coming from.
The simplest forms in the universe are the sphere and the circle. I represent them by disks and then I vary them... spheres of different sizes, densities, colours and volumes, floating in space, traversing clouds, sprays of water, currents of air, viscosities and odours - of the greatest variety and disparity.
I like to keep a uniform - wear a blazer, try to keep the same colour pants; very tailored, very fitted but still edgy.
Your manners will depend very much upon the quality of what you frequently think on; for the soul is as it were tinged with the colour and complexion of thought.
The very word "sorrow" colours the fact of sorrow, the pain of it.
Broken crayons still colour the same
The learned compute that seven hundred and seven millions of millions of vibrations have penetrated the eye before the eye can distinguish the tints of a violet. What philosophy can calculate the vibrations of the heart before it can distinguish the colours of love?
When Earth's last picture is painted and the tubes are twisted and dried, When the oldest colours have faded, and the youngest critic has died, We shall rest, and, faith, we shall need it lie down for an aeon or two, Till the Master of All Good Workmen shall put us to work anew!
There's a Legion that never was 'listed, That carries no colours or crest, But, split in a thousand detachments, Is breaking the road for the rest.
The actual basis of colour is instability. Once you accept that in lieu of something which is stable, which is form, you are dealing with something which is unstable in its basic character, you begin to get a way of dealing with it.
I learned from Seurat this important thing about colour and light, that 'a light' can be built from colour. I learned a great deal about interaction, that 'a blue' in different parts will play all sorts of different roles.
If you can allow colour to breathe, to occupy its own space, to play its own game in its unstable way, it's wanton behaviour, so to speak. It is promiscuous like nothing.
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