The moment you go in, all connections with the outside world are broken; all bridges are broken. In fact, the whole world disappears.
Given her lack of experience, does anyone doubt that Ms. Miers's only qualification to be a Supreme Court justice is her close connection to the president? Would the president have ever picked her if she had not been his lawyer, his close confidante, and his adviser?
We cannot settle for the pretenses of connection, or for the parodies of self-love.
In the United States of America, we are so liberal-minded on so many different aspects, but for some reason there's always going to be this weird connection with nudity being a bad thing. American's can be so prude sometimes.
When people are judged by merit, not connections, then the best and brightest can lead the country, people will work hard, and the entire economy will grow - everyone will benefit and more resources will be available for all, not just select groups.
So here's my advice to city planners. Make your city runnable. Runners are the first wave of troops bringing human activity back to the urban core of any city. Where we go, others will follow. The connection between runnability and livability is so clear (at least to me), that it's surprising that new developments consistently leave pathways out of the plans.
All you need is a laptop or a PC and an Internet connection and you can pretty much do almost anything and create almost any type of company.
The lead either forges an instant connection with the reader, or the package fails.
The only preparation or participation required to unleash the power of intention is a connection to the conscious intelligence field, which can be attained in many ways, one of the best being meditation.
Make lists of positive aspects. Make lists of things you love - and never complain about anything. And as you use those things that shine bright and make you feel good as your excuse to give your attention and be who-you-are, you will tune to who-you-are, and the whole world will begin to transform before your eyes. It is not your job to transform the world for others-but it is your job to transform it for you. A state of appreciation is pure Connection to Source where there is no perception of lack.
Maybe I'm too close to the two Democrats to be against either one. I went to law school with Barack Obama and worked in the Clinton White House, so I have connections and allegiances to both candidates. [...] But I cannot remain silent any longer while my own senator destroys the Democratic Party, and her own reputation, in a desperate and degrading effort to appeal to the lowest common denominator. It's time for Senator Clinton to act like a leader that I know she can be. Hillary Clinton not only needs to defend Barack Obama, she needs to apologize to him.
I had a lot of ups and downs. I always said that if I were in a position to give back, I would and I have. As my name became bigger, I started giving. You want to make that connection with people who are less fortunate. It keeps you in touch with reality. When you become a successful individual, and have a thousand tasks going on, you forget that there are people in need. It keeps me grounded.
One of the truths I most deeply believe is that everything in life - everything - is energy. Within every one of us is the energy that makes the sun rise every day and keeps the planets aligned. It's there, already inside of you, waiting for you to know it. And when you tap in with that connection, that source, that miraculous energy, what I know for sure is that the universe rises up to meet you in unimaginable ways and help you create the life that you want.
In the first stage of insight-building, all that researchers can do is observe phenomena. Second, they classify the phenomena in a way that helps them simplify the apparent complexities of the world so they can ignore the meaningless differences and draw connections between the things that really seem to matter. Third, based on the classification system, they propose a theory. The theory is a statement of what causes what and why, and under what circumstances.
I do love writing prose interspersed with the poetry of other people. Their rhythms break into my prose and create a connection.
It's very rare that you get to play a character over the course of so many films. Bella meant a lot to me and she will always be such a formative event in my career. I grew up with her and she and I have been on this great journey together. I also see many parallels between her evolution and my own because I lived through so many things along the way while playing Bella and having this connection to so many people involved in making the films over the years. It would be impossible for me to separate my world from Bella's.
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.
I guess because twins have this mystique, and triplets - I think the normal sibling connection potentially can be very powerful, and there's this idea that it's even more powerful. It really is, not just someone like me, but another version of me.
What happens when you speak colloquial Hebrew is you switch between registers all the time. So in a typical sentence, three words are biblical, one word is Russian, and one word is Yiddish. This kind of connection between very high language and very low language is very natural, people use it all the time.
Particularly when I thought of myself as a Wallace Stevens acolyte, I wrote very difficult poetry and I was really guilty of not knowing what I was talking about. I was going for a kind of clever verbal effect. I was trying to sound linguistically or verbally interesting. I had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn't know what I was doing. It had very little connection to my life.
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
Because I was in psychiatric treatment for most of my childhood and had to learn English and had to adjust to a white-dominated society, I truly know what being Sudanese refugees [adopting by white family] mean. It's not something that you can explain in the confines of an interview, but there is an immediate comfort, a connection between black phenotypes that is natural.
I guess at it's very core love is connection that just makes so much sense you wonder how you used to live before you were lucky enough to experience it.
Yoga is vital because it keeps me in full awareness and connection with my breath.
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