Spirit is love, spirit is connection, inclusive, and that's what I'm interested in, and that's what moved me. That's what I got more and more into as I grew up and as I was in college in the 60's with consciousness raising and other kind of things, gestalt psychology etc.
When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase.
You've got problems in Central Asia. And you've got problems within our own communities back home. So if we end up saying, look, this has nothing to do with Islam or it's got no connection with that broader question, then we look, frankly, as if we're in denial about the problem. And the interesting thing in the Middle East is that they have absolutely no problem there in identifying that as Islamist extremism and calling it that.
We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.
You do what you do. Or you do what you have to do. I don't know how to explain it better. I think that in the moment, you can't see connections, but sometimes afterwards you do.
I can't say the connection is one I've made consciously, but quitting drinking allowed me to be less selfish. My wife would definitely say that one of the major benefits of me quitting drinking is that I have more time and focus for other people.
Anything that helps us know ourselves more deeply, love ourselves more fully, improve our social connections with family and friends, and engage us more completely with the earth, animals, and environment, is a good resource for healing.
It seems to me that art has lost its connection to spirit.
Family is so important. Friends are so important. You need that connection.
I kept going back while I was writing the novel - which never sold, may it rest in peace - and by the time it was finished I had too many connections to Haiti to walk away.
I think there's a great connection between these two characters for sure. I mean, I don't know if she's coming over for dinner on the Barton ranch.
And again, this connection that you get: I meet Joe at church. Joe's connected to a whole network of people I don't know. Joe likes me. He invites me over to his son's birthday party, and I meet his whole family. I meet his friends. I get to know his neighborhood. That happens all the time.
I can't really say that film music inspired me; it is more the films themselves, in connection with the music.
I have always had a very natural connection to the water, and that connection stems from the ocean itself.
The Swedish folk music - I can't hear any connection between my music and fiddle tunes, but I guess since I grew up with that, kind of, Swedish tone or harmony.
I love Topsail Island, which my grandparents helped settle in 1950, despite the racial tensions. I wanted to immortalize my deep connection to this special island forever.
Meditation is focused attention and the more we practise focusing our brains the more connections we build up.
If we keep practicing mental skills it is likely we can strengthen neural connections and make new connections.
The brain likes to be efficient and so even as its strengthening the pathways you're exercising, it's pulling - it's weakening the connections in other ways between the cells that supported old ways of thinking or working or behaving, or whatever that you're not exercising so much.
Film works when a director and a star have a connection. You know, when there's something telekinetic between them, there's a partnership, it's like alter egos. It's like James Stewart and Alfred Hitchcock, or Fellini and Mastroianni. I'm not comparing, I'm just saying, if you can come into a relationship where the director and star have such a bond, it's so much easier to make a movie.
I think that's a connection that you can only hope for. It's not something that you can make because it needs someone else.
In American tradition a certain kind of, I would say, desperate American friendliness in which the poet tries to reach out through the page to make a connection by the side of the road with some other person.
You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
I met with Karl Lagerfeld, and if you have those kind of connections, that takes you into that world and puts you on that level.
I just love any place that I can sit in the sun and feel the warmth of the sun's rays, and feel the connection to the planet, really tapping into how small I am and really how insignificant I am in comparison to the universe.
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