I really like dark music and darkness in general and cynicism and pessimism and negativity because it allows you to create an even bigger contrast.
In contrast we let go of existence, meaning, and the sublime as categories to describe the object “God.” Instead these become ways in which we engage with the world. Yet, as we affirm the world in love, we indirectly sense that in letting go of God we have, in fact, found ourselves at the very threshold of God.
You must not contrast too strongly the hours of courtship with the years of possession.
Nature and society are so replete with startling contrasts that wit often consists in the mere statement and comparison of facts, as when Hume says that the ancient Muscovites wedded their wives with a whip instead of a ring.
Those who are incapable of shining out by dress would do well to consider that the contrast between them and their clothes turns out much to their disadvantage.
The world could not long ignore a holy church. The church is not despised because it is holy: it is despised because it is not holy enough. There is not enough difference between the people inside the church and those outside to be impressive. A church in which saints were as common as now they are rare would convict the world, if only by contrast. Sanctity cannot be ignored. Even a little bit is potent. So far from the gates of hell prevailing against it, it hammers on their triple steel.
Without peace there can be no prosperity for any people, rich or poor. And yet, there can be no peace without erasing the harshness of the growing contrast between the rich and the poor.
On the surface the avant garde as a whole seems united primarily in terms of what they are against: the rejection of social institutions and established artistic conventions, or antagonism towards the public (as representative of the existing order). By contrast any positive programme tends to be claimed as exclusive property by isolated and even mutually antagonistic sub-groups. So modern art appears fragmented and sectarian, defined as much by manifestos as imaginative work.
Contrast increases the splendor of beauty, but it disturbs its influence; it adds to its attractiveness, but diminishes its power.
Happiness is like time and space-we make and measure it ourselves; it is as fancy, as big, as little, as you please, just a thing of contrasts and comparisons.
And a Famous Film Star who is left alone is more alone than any other person has ever been in the whole Histry of the World, because of the contrast to our normal enviromint.
I mean, full stops are quite important, aren't they? Yet by contrast to the versatile apostrophe, they are stolid little chaps, to say the least. In fact one might dare to say that while the full stop is the lumpen male of the punctuation world (do one job at a time; do it well; forget about it instantly), the apostrophe is the frantically multi-tasking female, dotting hither and yon, and succumbing to burn-out from all the thankless effort.
I love the dynamic contrast between the spontaneous shots and the more formal, pro-rock-star photos.
Take Germany and Japan, both defeated in the Second World War. Germany has acknowledged its monstrous crimes to a certain extent, has paid reparations and so on. Japan, in contrast, apologizes for nothing and has paid no reparations, with one exception: It pays reparations to the United States, but not to Asia.
In contrast to how my father treated me, I won't hit him, I won't call him evil, I'll give him affection, and I'll pay attention to him.
I knew she was a party girl. The book I liked most on her was called [princess] Margaret: A Life of Contrasts and getting to know her, it was how conflicted her position and her internal life - or self - was. She is so fiercely royal and so fiercely "sister of the queen" or "daughter of the king" because that is her identity and it's all she's ever known. And at the same time she is struggling to push the boundaries and to break away from it, to be different or to modernize the monarchy, to turn it on its head.
I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.
You have to study composition to understand that things can be done backwards and forwards and upside down, inverted, but it's mainly just an inner valid intuitive thing. Where do you want to go? Ok this is busy, or this needs some space, or this is too much space so now I want to put more notes in there or something. It's all about contrast. High, low. Fast, slow, thick or thin or what have you. And it's the same with improvisation.
I think that's the fascinating thing that exists now. This contrasts with a celebrity art and celebrity music culture.
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.
While [Domald] Trump chose a running mate, [Mike] Pence, who wrote [a letter to an Indianapolis newspaper] about how women shouldn't work because it's bad for the family. So we're really facing such a stark contrast between the candidates. Not to mention the vulgarity that Trump has been spouting about women for his entire life and continues to throughout his campaign. It's just a different world that we'd be living in [if he won].
It remains true that great managers recognize individualities and focus on developing strengths rather than weaknesses. Great leaders, in sharp contrast, recognize what is (or could be) shared in common - a vision, a dream, a mission, whatever - and inspire others to join them in the given enterprise.
I like change and I like contrast.
New York has a tremendous number of people but the quality of its politics is unspeakable. By contrast, in a smaller township, I find there's a great deal of social awareness, less of a sense of powerlessness, less of a polarization of economic life.
I want people to see my unique charm I have in contrast to the other artists.
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