Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.
If you divide Christians into denominations, agnostics and atheists come in third, behind Catholics and Baptists. That's interesting when you contrast it with the lack of influence of nonbelievers.
You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
So long as all the increased wealth which modern progress brings goes but to build up great fortunes, to increase luxury and make sharper the contrast between the House of Have and the House of Want, progress is not real and cannot be permanent.
A true revolution of values will soon cause us to question the fairness and justice of many of our present policies... True compassion is more than flinging a coin to a beggar. A true revolution of values will soon look on uneasily upon the glaring contrast of poverty and wealth with righteous indignation.
The economic benefits of investing in children have been extensively documented. Investing fully in children today will ensure the well-being and productivity of future generations for decades to come. By contrast, the physical, emotional and intellectual impairment that poverty inflicts on children canmean a lifetime of suffering and want - and a legacy of poverty for the next generation.
Estimates suggest that from 20 to 50 million Americans routinely, albeit illegally, smoke marijuana without the benefit of direct medical supervision. Yet, despite this long history of use and the extraordinarily high numbers of social smokers, there are simply no credible reports to suggest that consuming marijuana has caused a single death. By contrast, aspirin, a commonly used, over-the-counter medicine, causes hundreds of deaths each year.
... In contrast to the "banality of evil," which posits that ordinary people can be responsible for the most despicable acts of cruelty and degradation of their fellows, I posit the "banality of heroism," which unfurls the banner of the heroic Everyman and Everywoman who heed the call to service to humanity when their time comes to act. When that bell rings, they will know that it rings for them. It sounds a call to uphold what is best in human nature that rises above the powerful pressures of Situation and System as the profound assertion of human dignity opposing evil.
There's virtually nothing to stop the cold air from off of Hudson Bay from flowing down across the midlands. So you get good contrast: the warm air coming up -- the cold air coming down -- and where they meet is your typical frontal location.
If one has really technically penetrated a subject, things that previously seemed in complete contrast, might be purely mathematical transformations of each other.
The existential attitude is one of involvement in contrast to a merely theoretical or detached attitude. "Existential" in this sense can be defined as participating in a situation, especially a cognitive situation, with the whole of one's existence.
In contrast to the asexual chasteness of official communist art , Nazi art is both prurient and idealizing. A utopian aesthetics (physical perfection; identity as a biological given) implies an ideal eroticism: sexuality converted into the magnetism of leaders and the joy of followers. The fascist ideal is to transform sexual energy into a "spiritual" force, for the benefit of the community.
What is noble, lyrical, tender in the upper level shown is also with the servants, scoundrels, and scamps, as in a distorting mirror. This contrast seems to me a most appealing musical theme--to show love in its noble and crude forms, romanticism and crass realism mixed as in everyday life.
In contrast, traditional Catholic churches serve vast numbers of people who have little or nothing in common, and they are often impersonal supermarkets for the sacraments.
Value choices are intuitive... It's fun to see how much you can get without leaning on contrast.
Contrast warm to cool. Make color sing, ring like a bell. Work from big to small.
When our life is a continuous trial, the moments of respite seem only to substitute the heaviness of dread for the heaviness of actual suffering; the curtain of cloud seems parted an instant only that we may measure all its horror as it hangs low, black, and imminent, in contrast with the transient brightness; the waterdrops that visit the parched lips in the desert bear with them only the keen imagination of thirst.
How much reverence has a noble man for his enemies!--and such reverence is a bridge to love.--For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture "the enemy" as the man of ressentiment conceives him--and here precisely is his deed, his creation: he has conceived "the evil enemy," "the Evil One," and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a "good one"--himself!
There is no recipe for good layout, what must be maintained is a feeling of change and contrast. A layout man should be simple with good photographs. He should perform acrobatics when the pictures are bad.
Our time has produced a need for contrast. This has been achieved not only in the external appearance of plastic expressions of coulor and matter, but also, and chiefly, in the tempo of life and in the techniques related to the daily, mechanical functions of life; namely standing, walking, driving, to lying and sitting - in short, every action which determines the content of architecture.
The drive to want to know is innate in people. You cannot influence this. I think in contrast it is harmful if you push kids too far in a particular direction.
Non-cooperative approaches, by contrast, almost always involve duplication of effort, since someone working independently must spend time and skills on problems that already have been encountered and overcome by someone else. A technical hitch, for example, is more likely to be solved quickly and imaginatively if scientists (including scientists from different countries) pool their talents rather than compete against one another.
As society is only possible if everyone, while living his own life, at the same time helps others to live; if every individual is simultaneously means and end; if each individual's well-being is simultaneously the condition necessary to the well-being of others, it is evident that the contrast between I and thou, means and end, automatically is overcome.
In Florence, classical buildings sit against medieval buildings. It's that contrast we like.
I've often been struck by the extensive knowledge that people have of sports, and particularly, their self-confidence in discussing it with experts. . . . In contrast, when discussing matters of concern to human lives - their own and others - people tend to defer to experts.
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