There are some very creative people out there who are like Steven Meisel, and that is why their work is so extraordinary.
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
We need creative people working with broadcasters, making smart content to inspire people to be geniuses.
Only a man of inner silences becomes a creator. And we need more and more creative people in the world. Their very creativity, their very silence, their very love, their very peace will be the only way to protect this beautiful planet.
People like secrets. Creative people really like secrets.
If you love everything you do, you will probably end up with mediocre work. I think dissatisfaction with the state of things does propel creative people forward.
I'm just surrounded by awesome funny folks and really creative people. I'm learning, every day. There's not a day that I step on set that I don't have fun. It's a pretty good deal.
Yes, creative people are more prone to addiction or addictive behavior. But, equally as prone is your mailman, your mother, your brother, your friend, the guy who does your banking. It's everywhere. The thing that happens in the press sometimes is Whitney Houston. She was just an addict. Just like your uncle Steve.
To get out of desperate situation can only be done by education and by openness for Indonesians. Everybody who can, should be participating in this 'project'. Not only professional educators and teachers , but especially artists, creative people, thinkers. There should be many more initiatives, particularly more from the independent press! What happened to progressive independent publications in Indonesia? Nothing - they never took off! It is a shame.
I worked at a bunch of salons, and at one, a girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.
I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
As all creative people, we have our optimistic side and a darker side. Yes, I would say that I am more optimistic than not. I have written some very lush pieces when I was at low ebb, and some highly energized pieces when carrying a great sadness. It seems that I am getting more optimistic as I get older - life is a lot of fun!
My greatest passion has always been connecting with creative people, appreciating the artistic and discovering fresh perspectives on the world. I came on board to use my experience in building an international community of photographers, illustrators and video artists at iStockphoto who learned, grew and sold their work to millions around the world. Building a community that large requires personality, a keen sense of what both the contributing artists and the buying audience need, and an ability to balance both. I wanted very much to transfer those skills to the fine art world.
Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
My advice to young people in the wrestling business would be to repeat such questions to yourself as: "How am I standing out? How am I getting recognized? How am I getting over?" And if you don't have definitive answers for doing those things, you are doing it wrong. It is, essentially, on them. There is no right way to do it, and that's one of the great things about this business because you can be creative. People who say they have it figured out are wrong.
I think there are still plenty of free-thinking creative people out there. There always will be.
I think it's probably true that creative people are touched by melancholy more than the average person, and to the extent that delving into that shadow world produces good work, I'm all for it. But I think you have to be able to step back from the work, and say, "Look how miserable I felt. Look how beautifully I wrote about it. Now I'm going to get an iced coffee and chat with a friend." Writing should be a way out of despair.
Creative people need time to just sit around and do nothing.
I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor, and that's not to coddle them or to baby them. It's to help them; it's to push them.
I love the interplay with other smart and creative people who have got better ideas than I do and that I can bring something to, as well.
I think that all writers feel alienated. ... I know that I do. ... I still feel, as I think most creative people do, absolutely isolated.
I've been lucky to work with some of the most creative people and it's true that I enjoy filmmaking and I'm an enthusiast.
I think that all creative people are a little bit nuts.
I like to feel the butterflies in the stomach, I like to go home and have a restless night and wonder how I'm going to be able to accomplish this feat, get jittery. That hunger and those butterflies in the stomach are very essential for all creative people.
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