Dance is an art that imprints on the soul. It is with you every moment, it expresses itself in everything you do.
Movement has the capacity to take us to the home of the soul, the world within for which we have no name. Movement reaches our deepest nature, and dance creatively expresses it. Through dance, we gain new insights into the mystery of our lives. When brought forth from the inside and forged by the desire to create personal change, dance has the profound power to heal the body, psyche and soul.
It is not so much upon the number of exercises, as the care with which they are done, that progreses and skill depend.
Dancing in all its forms cannot be excluded from the curriculum of all noble education; dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with the pen?
Dance for yourself. If someone understands, good. If not, no matter.
Long experience has taught me that the crux of my fortunes is whether I can radiate good will toward my audience. There is only one way to do it and that is to feel it. You can fool the eyes and minds of the audience, but you cannot fool their hearts.
God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.
The world I'm interested in is the one where things are not named.
The serious is the most difficult branch of dancing, it requires a close study, and cannot be duly appreciated but by connoisseurs and men of a refined and pure taste. She who excels in it deserves the highest applause. A correct execution of an adagio is the ne plus ultra of our art; I look on it as the touchstone of the dancer.
But oh, she dances in such a way! No sun upon an Easter-day Is half so fine a sight.
I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.
You can't reduce lactic acid, but you can increase your tolerance to it. I do this through running or cycling, but it's a good idea to match your training bout to the type of dance you do.
You have to believe there's something at the other side. And you have to have faith in yourself. You have to think that you have the tools to accomplish it.
The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend.
I'm not interested in a group of people with some sort of incredible homogeny,a group that can do the movement I want. I'm interested in people whocan take the movement somewhere.
So if the dance is five minutes long, make yourself run for perhaps eight minutes. That way, you over-train and the dance will seem easier.
I'm not one who divides music, dance or art into various categories. Either something works, or it doesn't.
Fine dancing, I believe like virtue, must be its own reward. Those who are standing by are usually thinking of something very different.
The gymnasium of running, walking on stilts, climbing, etc. stells and makes hardy single powers and muscles, but dancing, like a corporeal poesy, embellishes, exercises, and equalizes all the muscles at once.
O come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?
There was never a merry world since the fairies left off dancing.
She is your treasure, she must have a husband; I must dance bare-foot on her wedding day, And, for your love to her, lead apes in hell.
Come Fairies, take me out of this dull world, for I would ride with you upon the wind and dance upon the mountains like a flame!
The physical language of the body is so much more powerful than words.
You may shoot me with your words, you may cut me with your eyes, you may kill me with your hatefulness, but still, like air, I'll rise!
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