The dancer's body is simply the luminous manifestation of the soul.
Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness,to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.
My hope is to shed light, provoke thought, entertain, and move through dance.
In a dancer, there is a reverence for such forgotten things as the miracle of the small beautiful bones and their delicate strength.
Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
Technique is what you fall back on when you run out of inspiration.
There comes a pause, for human strength will not endure to dance without cessation; and everyone must reach the point at length of absolute prostration.
It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely.
We're a machine and we have to be worked in the same way we have to be fed.
Dance is your pulse, your heartbeat, your breathing. It's the rhythym of your life.
I am sincerely trying now to create a dance technique based entirely upon corrective exercises, created with a knowledge of human anatomy; a technique which will correct physical faults and prepare a dancer for any type of dancing he may wish to follow; a technique having all the basic movements which govern the actions of the body; combined with a knowledge of the origin of movement and a sense of artistic design.
You are the only one of you. From the beginning of time till the end of this world to the end of eternity. There's only one of you ever created. Ev-er. You are the only you. That's pretty powerful. So why on earth would you want to look like anybody else, dress like anyone else, dance like anyone else, be someone else, when you are a legend in your own right?
Poetry is an echo, asking a shadow to dance.
Part of the joy of dancing is conversation. Trouble is, some men can't talk and dance at the same time.
It is interesting that Hindus, when they speak of the creation of the universe do not call it the work of God, they call it the play of God, the Vishnu lila, lila meaning play. And they look upon the whole manifestation of all the universes as a play, as a sport, as a kind of dance — lila perhaps being somewhat related to our word lilt
Wherever a dancer stands is holy ground.
Without love, all worship is a burden, all dancing is a chore, all music is mere noise.
The only way to make sense out of change is to plunge into it, move with it, and join the dance.
I'm not interested in fame and glory. It's just that I would like others to know what a happy dance this is.
See the music, hear the dance.
One of the few things in dance to match the Royal Ballet's curtain calls is the Royal Ballet's dancing.
If you dance, you dance because you have to. Every dancer hurts, you know.
Those move easiest who have learn'd to dance.
Artists lead unglamorous daily lives of discipline and routine, but their work is full of passion. Each has a vision and feels responsibility to that vision.
The next time you look into the mirror, just look at the way the ears rest next to the head; look at the way the hairline grows; think of all the little bones in your wrist. It is a miracle. And the dance is a celebration of that miracle.
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