I think you lose your innocence when you have kids, because the world suddenly becomes a much more dangerous place.
It's kind of interesting and sick that the intellectual culture called the 1960s, "time of troubles," a dangerous period in which a lot of harm was done to the society. And the reason is because we were civilized and that's dangerous. That increased the commitment to democracy, to rights and so on, and this left people much less obedient.
What I've called "the Mafia doctrine" in many publications: when the Godfather issues an edict, others must obey, or else. It's too dangerous to allow disobedience. A leading principle of world affairs - though, of course, officials and commentators put it more politely.
I think that we live in a world - and this is something which living in Pakistan, perhaps, has taught me - and, you know, we live in a world where there is a constant feed from social media, the news, etc., of things that can scare us. And we become so anxious because human beings are meant - are designed to be sensitized to dangerous stuff.
One thing that I have been trying to do is bring together in places like Bosnia technologists who create ever-more destructive land mines [and convince them not to build more dangerous mines]. And that has actually worked.
Each powerful player, or coalition of players, will make concessions in areas where it has relatively less at stake in exchange for other such players making reciprocal concessions in other areas where it has relatively more at stake. Such trades are collectively rational insofar as they get each of the powerful players more of what it wants. But such trades are also dangerous because the whole international rule-system will become incoherent and therefore vulnerable to crises that will continue to become increasingly severe.
In my view, suburbia in general has very poor prospects. I think it will only become devalued and probably more dangerous. It's chief characteristic was that it represented a living arrangement with no future - and that future is now here.
If you ask the average person they'd tell ya, "Naw, it's much more dangerous," despite the fact that violent crime has dropped precipitously.
The psychic phenomena and the number of people involved in psychic phenomena is rising at just an incredible rate - that's a definite indication of the fourth dimension. But it's also a very dangerous time.
In the West or anywhere else, the treatment of people in an undignified way (structural and institutionalized racism against Latinos or African American citizens) as well as a dangerous dehumanization of some people (in Palestine, Iraq, Africa or Asia) are simply unacceptable.
I'm definitely excited by big ideas, both in what I write and what I read. Most days, reality is so mind-numbingly dull that I don't understand why someone would write strictly realistic stories, given the almost limitless freedom fiction provides. I don't see the point of making believe if you're not going to actually make believe: hang your ass out in the wind, push at every boundary, make almost unreasonable demands on your reader's willingness to suspend disbelief. This is dangerous, and prone to failure, but that's part of what makes it fun.
People who use LSD today know how to use it. Therefore, I hope that the health authorities will get the insight that LSD, if it is used properly, is not a dangerous drug. We actually should not refer to it as drug; this word has a very bad connotation. We should use another name.
I always felt it is not good if you feel like you would know how to do something. I've made mistakes of telling people: I know how to do this. And it should feel dangerous. That is the only way to stay alert, to keep the adrenaline running.
The idea that writing about characters of another race requires a passage through a critical gauntlet, which involves apology and self-examination of an almost punitive nature, as though the act of writing race was somehow morally suspect, is a dangerous one. This approach appears culturally sensitive, but often it reveals a failure of nerve. I believe the demand that we ought to reveals a species of fascism within the left - an embrace of political correctness with its required silences, which has left people afraid to offend or take a stand.
It's very dangerous to pretend to be open-minded when you're the exact opposite. I think feminists are only making it worse by blocking out all other viewpoints but their own, only reading their own propaganda and only associating with each other.
Plenty of women say, "I'm just going to make myself into a sex object." But they often can't stay afloat doing that. They can't maintain their sanity. Some women can, but many cannot. They think they can, but self-objectification is really dangerous.
I think you cannot be too complacent. I think that's dangerous and you cannot take anything for granted.
People in power tend to find poetry dangerous to them because it is dislocating, they can't catch it, can't control it. They prefer coherence, what's blunt and has clarity.
If you want to liberate someone, love them.Not be in love with them - that's dangerous. If you're in love with your children, you're in their lives all the time. Leave them alone! Let them grow and make some mistakes. Tell them, "You can come home. My arms are here - and my mouth is too." When you really love them, you don't want to possess them. You don't say, "I love you and I want you here with me."
I thought that the R&B / Hip-Hop world really hasn't been explored on film and there's some issues that we're going through right now. It's in a very dangerous place , for women especially, both in terms of the songs that men are singing about. You know, R&B used to be a safe place for women and now it just seems like the songs coming out are so angry but also what women have to come out with. You have to get noticed. You see, it's like a script to follow. You come out hyper sexualized but what happens when you can't pull back from that. That's not authentic to yourself.
I've had people say, "You know, this 'Hope and Change' business, Rush, it's just as dangerous as, 'Make America Great Again,' all the specifics." And what you're really saying - even though you didn't voice this - is Barack Obama ended up being an authoritarian. He ended up being supported as an authoritarian because his wacko base wanted that stuff done - i.e., they wanted conservatives humiliated and defeated and ticked off and mad and losing everything, and they didn't care how Obama did.
Donald Trump and Sean Spicer do one thing after another to keep the media attention focused on them. And it works. These legislative achievements are being made which are chipping away at anything the government has that's of any use to anybody. Paul Ryan, I think, is the most dangerous guy in the government. He knows what he's doing. And it's very systematic. I presume he's behind the cabinet appointments, but it's pretty amazing that every single cabinet appointment is somebody devoted to destroying that part of government.
I don't think Trump is a deeply self-aware person. But he's absolutely off the charts as a narcissist. He is the consummate narcissistic salesman. He is in fact a sick man. And that's potentially very dangerous. The only positive thing about Trump is that he has no ideology, he is an empty vessel, surrounded by people who give him ideas, and it only matters which ideas will shine the light on Trump.
It's like a paradox. For one side, being popularized rap got better and the other side of it got worse. It's very pop and it's very different now. When you make it as pop and as soft as it is, it lacks its integrity. It lacks its accountability. It lacks a lot of other things that came from that dangerous time in hip hop.
Bombing is a very dangerous option because it's so convenient and because at home it's politically acceptable because our boys aren't dying on the ground, it gets us into tremendous trouble, which, of course, in general is true of bombing.
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