We find that when we make an acquisition, or we have a hiring experience, that's one of the hardest things to change. If you've been working for a company where you didn't dare challenge your boss, or what's politically correct in the company, then it affects your career.
In the States, you have the First Amendment. People feel the freedom to speak and the right to be heard. And they kind of push the message: "It's a free country." Everybody has the right to say whatever they want to say. But in the Middle East, culture is your guide. You have to ask, is it culturally okay to say something like that? Is it culturally okay, for example, to show a woman giving birth? As Arabs watching such a scene in an American film it's okay, but when it comes to the Arabic context, we're like, "How dare you?" So it's how you present it.
I challenge Hillary Clinton; take away your Secret Service. Take it away now! Take away your Secret Service! Dismiss them! Have no security around you. Have no guns around you, Hillary. I dare you! I dare you! Obama, same thing. Drop your guns, Obama! Take your Secret Service away, Obama. Take it all away! Leave the White House unguarded, Obama. Let everybody know there's no guns on the White House grounds, Obama. You know what would happen in 30 seconds? Both of those people would no longer be on planet Earth.
Years ago when I started doing TV and making appearances in big arenas, the place would put security guys up there and I said, "Please don't do that. It's very distracting to see ten cops in front of the stage. Everybody's looking at the officers instead of me. I don't want that." I also found that people will dare to break a barricade. If they have a barricade, somebody will always try to jump over it. I've found that the more open I am, the better.
When I say a girl like me, I bet you think I'm just talking about being fat. How dare you fat-shame me? You think I'm talking about being black? Racist. What makes you think I'm not talking about being smart? What? You don't think a fat, black girl can be smart or something? Fat-shaming racists like you make me sick.
I admire mold-breakers. People that bust free from traditional thinking and change the game completely. Steve Jobs. Charlie Parker (jazz saxophonist). The Groupon guys. Seth Godin (author). People who dare to be different and end up creating something truly different and remarkable.
Everybody thinks that Donald Trump called James Comey a nut job. What if he didn't? We already have documented countless lies that the media has told about Rod Rosenstein and about Comey requesting more money. Comey's trying to hide behind the curtain so that Trump won't notice him? Maybe he is a nut job. But everyone, "I don't care what you say, Comey is a patriot, Comey's an American, Comey's on our side, you wouldn't dare, you wouldn't dare kneecap one of your own guys to your enemy."
The Democrats are angry, and they're out of their minds. You know, we're seeing in the Senate, the Senate Democrats objecting to every single thing. They're boycotting committee meetings. They're refusing to show up. They're foaming at the mouth, practically. And really, you know, where their anger is directed, it's not at Republicans. Their anger is directed at the American people. They're angry with the voters, how dare you vote in a Republican president, Donald Trump, a Republican Senate, a Republican House.
Robert Mueller himself has perhaps the best and the cleanest reputation in all of official Washington. He is Mr. Integrity. He is Mr. Cultured. He is Mr. Mannered. He is Mr. Sophisticated. There isn't a soul in Washington who dares utter nary a negative word about Mueller.
What I bring - my team and I, because it's not only me - is this sense of elegance and casualness, and no pretension. There's also a sense of loyalty - loyalty to my customers, but also loyalty from my staff. Also, I think a sense of perfection; I'm a bit of an obsessed freak with perfection. I think I bring craziness sometimes, because if there is someone who's going to dare do something crazy, it's me.
The reason I wouldn't dare to write a Western is simply because that seems to be so much a part of American culture. Maybe if I want to write a Western enough I should try to overcome that fear, but I'll certainly feel like I'm trespassing. I feel that that is so much a part of American foundation myth, it's part of the myth of America, the American vision of what America is, which people have glorified and then challenged and then vilified.
I don't have that much of an ego where it's like "How dare you, you can't do something without me."
I like when people do cool stuff that might be a little off-the-wall to anybody else, but they found a way to make it work for that day. I wouldn't recommend that people wear it every day like that, but if you every once in a while just spice it up, I like that. I dare to be different.
A lot of women say to me, "Polly, why aren't there more clothes out there that we can wear?" And I don't agree with them! There are clothes out there that they can wear - it's just that they don't dare to wear them.
There's this quote by a writer, Emil Cioran, he's a Romanian writer. He says that you should only put things in books that you would never dare to say to people in real life. So there is that feeling of acute embarrassment, or that you've been too revealing. I think it's some kind of survival mechanism where I never think of the reader, ever. Because then I would start censoring myself.
I dare say you believe I'm going to die. I bet you don't believe you're going to die. You know it, but you don't believe it. Imaginatively, I think we find it impossible to believe we don't exist.
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
My love stories are about people who are reluctant to actualize what they so desperately want. They are timid, cautious, but eventually they dare to speak. My characters are not only hesitant; they are ambivalent about which way their libido flows: toward men or women? They are fluid in their sexuality, and this ambivalence says more about how we think about sex today than, say, Tinder. And this is a truly modern idea: Most of us don't know who we are sexually.
The way I feel about Crunk Feminists. Here you have a bunch of bloggers who are not even quoting any feminists' works who are telling me what I can do better when I've been doing this as my life's work while y'all still in college! What are you talking about? And their criticism was of the idea that we should approach people like Rick Ross and Lil' Wayne with love when they have lyrics that we don't like, as opposed to approaching them with hate. That's their issue: How dare I say I approach Rick Ross with love!
It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.
Do not be inaccessible. None is so perfect that he does not need at times the advice of others. He is an incorrigible ass who will never listen to any one. Even the most surpassing intellect should find a place for friendly counsel. Sovereignty itself must learn to lean. There are some that are incorrigible simply because they are inaccessible: They fall to ruin because none dares to extricate them. The highest should have the door open for friendship; it may prove the gate of help. A friend must be free to advise, and even to upbraid, without feeling embarrassed.
... we have broken down the self-respecting spirit of man with nursery tales and priestly threats, and we dare to assert, that inproportion as we have prostrated our understanding and degraded our nature, we have exhibited virtue, wisdom, and happiness, in our words, our actions, and our lives!
My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis.
He wants worth who dares not praise a foe.
Old sundial, you stand here for Time: For Love, the vine that round your base, Its tendrils twines, and dares to climb, And lay one flower-capped spray in grace, Without the asking on your cold, Unsmiling and unfrowning face.
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