Dark Horse was my second time working with Todd Solondz. I love him truly, very much. And I don't think he'd ever worked with an actor a second time. It was groundbreaking.
I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store. I thought it was really dark, and so I tried to interpret it. I've always been interested in writing from other people's perspectives and other gender perspectives.
Relationships are super complicated and always have dark and light in them. And all good sexual relationships do, too.
I think everyone should understand history of segregation the same way we had to go to school and read about George Washington. I believe this generation should know their history and they should know that the struggle's not over yet. For instance, you can't get the cover of a magazine if your skin is too dark.
When I decided to write a novel about Istanbul, I thought I should put the different faces of Istanbul into one book. I also put the characters in a cell, and it's three stories underground, rather than on the surface. The characters have one Istanbul, the other one is above ground. One is in dark, one is in light. That kind of contradiction - those opposite sides - creates a great energy in Istanbul.
Istanbul is divided by time, not space. The first Istanbul is the Istanbul of the past. A long time ago, during the empire, it was beautiful, it was the glorious time of our nation, people say. Then, when they talk about today, they complain about it: It's very melancholic, it's very stressful. We've lost our golden age in the past, and now we're living in our dark era.
Every time you are looking for love, and you're making yourself available for love, it may not come in the package that you had dreamed of. It might come in something completely different. You might've thought, "I'm going to be with a tall, dark, and handsome." or "I'm supposed to be with a model woman who looks like she can walk on the runways." But, it might be just a little curvy girl from Oakland!
Fake friends are like shadows. They follow you in the sun and leave you in the dark.
I find it odd that, in real life people think I am funny but no one ever suspects that on the page! Personally, I think some of my work is a riot! I crack myself up, but I know that the poems seem so relentlessly dark.
The South is about the abundance, beauty, and richness of Southern culture, but also its dark underside. The history of Southern food reflects the history of slavery, of poverty, of the negotiation of power.
That's why our comics are important: they're pointing things out and laughing at the same time. There have been horrible, horrible times in history. They're mostly horrible times. But not to laugh? Not to find humor in something like dark optimism/bright pessimism - I think that's sad, frankly.
The reason we do activism is because, maybe you haven't been raped or abused, but there are millions of people who can't say the same, and when you hear their stories you may be a little bit compelled. And it doesn't have to be dark. In the Congo, there are women who've been raped and re-raped, and they're so powerful, and they can carry trees on their heads, and they're dancing!
I think I'm an optimistic person. Ultimately I believe in people. I believe they can be robust. When my collection Delicate Edible Birds came out there were one or two people who read the title as being a commentary on the characters within the pages, the women in the book, meaning that they were these fragile girls meant for male consumption. But I had meant the opposite - these people are tough. Dark things happen to them but they get on with life as best they can.
I think when a society has such a profoundly dark and awful evil such as slavery in its history, then it leaves scars that are very, very deep. And unless we collectively address them and really put our effort to healing them, they'll perpetuate. The United States of America are still suffering from the echoes of slavery. I think we're still reeling from all the pain that is a result of it, and that's a reality.
Latin beauty means being proud of yourself and your culture; being sophisticated and beautiful; and embracing your complexion - whether you have light or dark skin - because it's gorgeous. We're such a beautiful rainbow of women.
I feel like the inspiration is that I've managed to change my songwriting over the past couple of years and also production styles. I could get a sense of what really worked well, and I think this sound developed naturally. That's what happens when you're doing it all the time and changing as a person. Some songs were really dark, and others were more psychedelic. It was useful to have that to figure out exactly what I wanted to do.
We, black British, were searching - as the first generation that was born and raised here - for our own identity. We already knew what the Caribbean thing was about. We grew up with the racial tension and unrest. They were either touching your head for good luck or kicking you down the stairs for being too dark. But that was part and parcel of how we grew up in London. But in terms of our identity, it was more about us claiming it y'know?
I think I was just a strange kid. I was definitely a weirdo. I ran a newspaper that had really dark stories all the time. My mom was always fun, she had this large box of costumes and I remember dressing up as a door-to-door saleswoman with a wig and this small suitcase I was using as a briefcase. I was walking down the street like that; I was sure I was fooling everyone.
There are many factors that impact the value of login credentials sold on the dark web. The main factor is how easy it is for a hacker to resell the merchandise, especially from a brand name, i.e., it's easier to sell an Apple iPhone over a pair of boots. Another factor that contributes to cost on the dark web is if there is a credit card saved on the account file and whether the stolen credentials have been verified. This means that a hacker was able to verify a successful login and the owner/consumer hasn't changed their password so we can expect even more fraud transactions to come.
I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.
Dark Horse movie might be blood, sweat, and tears for Todd Solondz, because things are so important to him and so specific. He has such a rhythm and a tone. So while he may have to work so hard to keep that intact, it allows the actors the freedom to just breathe. Because he's done all the heavy lifting. He really has. He has everything the way he needs it. And so we can just get there and be whatever he saw in the audition.
Earth took her shining station as a star, In Heaven's dark hall, high up the crowd of worlds.
Everything becomes magnified at night. Sounds travel in a different way, it's dark, and everything seems far more spooky.
I just hope that theaters remain. I think there's something very wonderful about getting into a dark room with a bunch of people. There's something cool about that. Brings us all together in one room where we can experience all those emotions.
'Outlaw Cook' was a revelation. Folks like Jeff Smith and Marcella Hazan got me interested in cooking, but John Thorne pushed me into the path that I follow to this day. This is the only cookbook I've ever read that understands how men really eat: over the sink, in the dark, greasy to the elbows.
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