How rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at sea, washed between hope and despair, hailing something that may never come to rescue us.
Rock and roll is based on pretty boys who look like little girls. The girls love them because they're not threatening. As someone who is dark and kind of hairy and whatever, I said, "I don't have a chance with that." Luckily!
I have a lot of mental issues that I just am so fearful of things, which I shouldn't be, right? Scared of heights. Scared of buildings falling on me. Scared of the dark. Scared of crowds. Those are my biggest issues. I'm just scared of people. It's just - in general.
That complacency and that willingness to give yourself over to a larger power structure is how civilizations destroy themselves. And I just hope people wake up from the slumber they've willed themselves to. Because we're really in a dark place right now.
There are real issues that the president Donald Trump and particularly Steve Bannon, his political adviser, are pushing. It's a vision, a rather dark vision, of a 19th century world where great powers do transactional issues.
I think acting came later in life when I went to college. I started out there. I wasn't a big star in the school plays or anything. I guess I just really liked stories. I was an English-literature major, and that's all about stories and narratives. Film and theater are very powerful storytelling mediums. You sit in a dark room and enter another world. I love that as a member of the audience, and I sort of wanted to get on the other side.
I have a life, I have a wife. I have an adult son who I'm very close to, and friends. I go hiking almost every day, four to six miles. In the summer, I'm out surfing or swimming. I think that real, human relationships with people mostly balance dark places in my work.
I build my stories character-first, and so whether it's a monster or a ghost or a serial killer, the fear of something dark interrupting life has just always been something that matters to me as a storyteller, or what I keep finding myself drawn back to.
War films usually so dark or dirty or intense, and sometimes they guide you to feeling a certain way against war, in general. But, to have a film that just speaks honestly to the soldier's experience and isn't jaded and is just authentic and easygoing in its message, I think is really nice to see.
I am aware of the changes, but in no sense am I believer that we live in a post-racial society. That's a description of our inheritance and that is theirs, which is inescapable. It is doesn't matter if you are from New England or Mississippi. You're an American. It doesn't matter if you are white, black, brown, or Asian. It is part of American society. You'd have to be blind, deaf, or dumb not to know it. The emphasis on color or the fear of it, is all part of the same dark flower. I am trying to point to that and to bring it all the way back from Senegal.
One of the most memorable moments was when I first saw earth because I had seen many pictures, many videos of earth from space, and being able to see that with my own eyes had a completely different effect, and sort of almost sensing life emanating from our planet in the dark background of the space, it was a really memorable experience.
You can always accuse my records of being harrowing or dark or bleak. There is processing of trauma on my records and they contain a lot of healing. As a person who has been watching other's rage for years, instead of having my own tantrums, I keep the feelings inside until I can find a way of making them into music. The songs are like healing spells and it really works for me. When I really do a good job on a song, it gets rid of a weight. As far as hope goes, there is hope that you can heal through processing stuff and make it through to the other side. That's all I can hope for.
The Dark Dark is a far slower project, clearly, and that's a relief. I look for slowness anywhere I can find it.
There is only one way to come out of that dark place, and that is through the power of prayer.
People's minds are polluted by these dark pictures of the future from Hollywood: "The Terminator," the Skynet, "The Matrix." It's world where there's no room for humans, or they have to fight against the machines. I think it's just a way, way, way, way in the future. Is it going to happen? I don't know. For me, these debates are not similar, but they resemble debates about how the sun will turn into a supernova in 4 to 5 billion years. Frankly, I don't care.
Do not see the world as dark, see it as light. When you find darkness bring the light into it. The way to remove darkness is to shine light on it.
The wildwood is everywhere. It's inside us. It's outside us. And, of course, if you happen to be near any of the more ancient forests, not just in Europe; then, you are in touch with the source itself. But for me, it's about journeying into an inner landscape that is deeply embedded within us. We have a wild nature that most of us have forgotten, but it's there. And it's both light and dark. There are ancient atavistic things that need to be approached with care. But even these, if faced up to, can bring blessings.
Italians don't have a unique style like France or Spain or Germany or the UK, it's different everywhere you go. The style of the girl in Milan is really architectural and modern. In Naples it's a completely different style, it's more dark. I'm sure our style was more precise in the past in the '50s or '60s where everything was very Sophia Loren. It's weird because obviously outside of Italy you think of one country, but when you're in the country you know how different the country is from the north to the center to the south to the island. There are so many differences.
I never feel the need to go out and make some grand statement that I'm dark and twisty and complicated, because I'm not that either. It's just not as simple as ponies and rainbows, though I do love ponies and rainbows.
Everybody says video-game adaptations are all the same, but I disagree. Normally, video-game adaptations are like Alone In The Dark, Resident Evil, Alien Vs. Predator - sci-fi creature stuff. But I think I've covered] a wide range of genres and time periods, like Transylvania in 1700 and now a Western with BlodRayne II, or adventure with Dungeon Siege, or comedy and satire with Postal.
I was lucky I guess. My main job was done when I finally found Ben Whishaw and knew that there was someone who could portray a character who was so ambiguous and multi-faceted. Ben is equally dark and innocent; potentially violent and yet at the same time kind of a boy. He got all that across and still makes audiences root for the guy even though they might be kind of disturbed by that fact.
Howard Marks is very intelligent and well read, eloquent, witty, charming. I think it was those qualities that got him through. I was interested to explore that because generally, we perceive criminals as dark, twisted, angry characters. Howard isn't any of those. He was punished for his crime, released from prison, and has lived to tell the tale.
She was not a white woman. She was not a Greek... Until the emergence of the doctrine of white superiority, Cleopatra was generally pictured as a distinctly African woman, dark in color.
Why? Why does what was beautiful suddenly shatter in hindsight because it concealed dark truths? Why does the memory of years of happy marriage turn to gall when our partner is revealed to have had a lover all those years? Because such a situation makes it impossible to be happy? But we were happy! Sometimes the memory of happiness cannot stay true because it ended unhappily. Because happiness is only real if it lasts forever? Because things always end painfully if they contained pain, conscious or unconscious, all along? But what is unconscious, unrecognized pain?
A silent dark...as black as a moonless lake, as a ravine's wings, darkness there and nothing more, merely this and nothing more.
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