In the earlier novels, Steve King tells us that John Farson, and perhaps even the Crimson King himself, are but other names and faces that belong to Walter O'Dim. However, in The Dark Tower, he tells us very clearly that Walter, John Farson, and the Crimson King are actually separate individuals.
I've learned a heck of a lot this way [making Dark Tower comics]. I've also learned a lot from the editors at Marvel, who are always an equal part in the creative team.
I've traveled all over the country. Look at the East Coast. They just can't hardly believe how far along we are and in their world it feels like they're still behind. They're on the dark side of the moon.
When there is spirit and light, the dark forces of whatever is hidden and suppressed - like hatred and separation - become more powerful.
I read the poem [In a Dark Time by Theodore Roethke] because I was intrigued and had one of those strange senses: "This poem is kind of important to me. I don't know why, but I'm going to just keep it in the back of my mind." I just kept coming back to it. As I started putting the book together and writing the stories for it, this idea of buzzing as a word kept popping up in my brain.
When I was in the second grade, one of my teachers said, "Where are you going to find a husband? How are you going to find someone darker than you?" I was mortified. I remember seeing a commercial where a woman goes for an interview and doesn't get the job. Then she puts a cream on her face to lighten her skin, and she gets the job! This is the message: that dark skin is unacceptable. I definitely wasn't hearing this from my immediate family - my mother never said anything to that effect - but the voices from the television are usually much louder than the voices of your parents.
I did a lot of crazy gigs man. I hosted a Jack and Jill strip club in Woonsocket Rhode Island which is this tiny depressing fishing town, all Portuguese immigrants and it's just a humorless, dark town.
I could be an alternative comic. I could be that really dark - I was - I was a very dark comic to begin with. I could be that guy, and the only reason I didn't is that I wanted to make money. I wanted to be popular. I wanted to be liked more than I wanted to be admired.
The dark clouds hanging over our government can be lifted and replaced with a bright future. But, it all depends on whether we let the corrupt media decide our future, or whether we let the American people decide our future.
An opportunity to honor the legacy of the lives drawn into the lines in my face, the broad of my nose, the dark of my eyes, the fullness of my lips, and coal in my complexion.
I believe in Christianity because the Scriptures said: "The things that have been done in the dark will be known on the house tops."
I suppose that, for me at least, the biggest difference betweenThe Gunslinger Born and the next two story arcs (The Long Road Home and Treachery), is that while Gunslinger Bornwas a translation of an existing novel, the next two arcs are really the stories that I've been weaving since I first started working with Steve King on the Dark Tower back in 2000/2001.
Every day huge amounts of information break off like icebergs and melt away. What worries me is that much information in electronic form is never reduced to paper. Some people have described this as being on the edge of a digital Dark Age and fear we may commit a massive act of amnesia.
We come to know who we really are in life during the dark and difficult and desolate days of our journey.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
I didn't write superheroes for the first 10 years of my comic career. I was just doing fan fiction. I wasn't thinking about superheroes at all, even though I loved them. I was raised by Watchmen and Dark Knight, so I was raised in with it's all been done, they don't worry about that.
I think that the world is really in very dark ages. In America this could have never been showed, we are even more lost over there than in Europe. We are very lost!
Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.
I really enjoy the darker side of things. It's the type of work that I like to watch. I know some actors feel fearful of how they'll be viewed. But invariably, I find dark material can be very, very rewarding to inhabit and investigate.
Not to get too depressing, I've always been a slight whirling dervish in my life. I've always been at once a very spritely and energetic hilarious lady, but at the same time there is an equal dark side that's as comparable to the jovial - constantly walking on the high wire trying to figure out who to be each day.
If you're not happy, if you're not Emmersonianly happy and think everything's going to get better, then you're just sort of a dark animal.
There are similiarities between Nixon and Trump, no question. But there are also big differences. Nixon was shy, private, he attacked the media behind closed doors and insulted people behind their backs, and we only know about it because of the taping system in the Oval Office. The dark side, the vengeance we only know because of these tapes. Trump is right out and front with it. He actually campaigned on how nasty he can be, which found resonance with enough voters to get him into the White House.
I've always been a horror movie fan, since I was a kid. And I was also a really scared kid. I was easily scared of the dark. One of the ways I would try and get away from my fear of the dark was to pretend like the monsters were my friends.
MYOB - mind your own body. It's important because I don't happen to have the kind of body that we usually see on television and in films. I am plus-size. I have dark skin. And I am 100 percent beautiful. But I get a lot of flak - oh, you should lose weight. And now that I have lost weight - and I lost weight for health reasons - I get, you look good but don't lose too much weight because your face is starting to sink in.
Think about the stories you have inside that scare you. That's what you should be writing. I and others call that writing from the dark place. Our humiliations and secret fears and deepest anxieties, those times where we were at our worst: that's the best material.
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