What is the truth is that every one of my films is a film that I'd love to go see, and I think that's very important because I always think it's a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
Politics is changing and as the demographics of different constituencies change so we need to be awake to the possibility of making gains where we have not traditionally done so.
Due to the major demographic changes we have gone through in the last few years in this country, we will be a majority/minority nation and there are a large number of people who do not like that. Donald Trump has tapped into those people's fears because he comes from the extreme right wing part of the Republican Party, as does Ted Cruz. They believe that we should cut taxes to wealthy Americans and enforce anti immigrant laws. They don't believe in Education or Social Security, they would end it and change it and privatize it.
I don't really think about what people think of my music, and how they listen to it or what my demographic is.
The demographics are changing - and so what? Citizenship is a question of certain agreed-upon values and that is that. Do we believe that? I think at heart we do.
There are many issues in the global economy in general and in the western economy as well: population ageing, drop in labour productivity growth rates. This is obvious. The overall demographic situation is very complicated.
This show ["This Is Mike Stud"] will have a ton of layers that people who aren't necessarily my demographic will actually really appreciate...I'm really proud.
[People] are looking for some means of control and what that means is is that the politics in all of our countries is gonna require us to manage technology and global integration and all these demographic shifts in a way that makes people feel more control, that gives them more confidence in their future.
I think if you are writing something that you are trying to design for someone else to like that is not necessarily you're demographic, it is a much harder road.
I won Iowa not because the demographics dictated that I would win Iowa. It was because I spent 87 days going to every small town and fair and fish fry and BFW Hall, and there were some counties where I might have lost, but maybe I lost by 20 points instead of 50 points. There's some counties maybe I won, that people didn't expect, because people had a chance to see you and listen to you and get a sense of who you stood for and who you were fighting for.
People of all demographic categories and geographic regions will access a good digital library.
Public Enemy started out as a benchmark in rap music in the mid-1980s. We felt there was a need to actually progress the music and say something because we were slightly older than the demographic of rap artists at the time. It was a time of heightened rightwing politics, so the climate dictated the direction of the group.
I think people cast their votes for a number of reasons. I think if you look at your polls, you'll probably find that many, many people think that our views are closer to what they believe the future of America should be. That our views are closer on economic issues. And a lot of those polls come down to demographics, to age, to how much money you are making.
It would be kind of ill to see Rachel McAdams win an Oscar [for Spotlight] - I don't think people give her credit for her range, she started in a kind of character with younger demographic-aged films and really made a push to be taken more seriously and got a lot of opportunities and knocked it out the park. But I feel like Jennifer Jason Leigh deserves one, maybe not just for Hateful Eight but for [Anomalisa] and everything. Like, I tried to watch Adaption again, that's rough!
Steven Tepper's Not Here, Not Now, Not That! offers invaluable insights into how social change and uncertainty drive protests over art. With fresh data and perspectives, Tepper makes a compelling case that cultural conflicts are largely homegrown, tied to each community's shifting demographics and values. It's an eye-opening work.
TV is a language all its own, a land of one dimensional stereotypes that destroys culture, not adds to it. TV is anti-art, a reflection of consumerism that serves the power structure. TV is about demographics.
There are three bombs. The first one is the atomic bomb, which disintegrates reality, the second one is the digital or computer bomb, which destroys the principle of reality itself - not the actual object - and rebuilds it, and finally the third bomb is the demographic one. Some experts have found out that in five thousand years from now, the weight of the population will be heavier than the weight of the planet. That means that humanity will constitute a planet of its own!
I think it's extremely valuable for us to be able to have a conversation in more than one dialect, speaking to more than one demographic here, finding our common ground, and having a very frank discussion about race, for one thing, which is where he is most hard-hitting, race, and the issues of human rights.
If Hillary can't win the nomination - and it's clearly very, very hard for her - she's basically a stalking horse for McCain. She's preparing the demographic ground for McCain, by getting white working-class Democrats used to (if you will) not voting for Obama.
Every time I meet the CEO of a record label I tell them how they did it in the seventies because they want to know. I tell them, "Sign a hundred people! Throw it against the wall and see which ones stick!" And they frown and say, "Oh, we can't do that!" and they start mumbling about demographics and this and that.
This is me putting it simply; the politicians are one demographic and they see that Arizona is changing. I feel like the only instinct to retain power is to have education favor you. You have this Mexican American program that helps kids take ownership of their race and their power. It threatens the political powers that are in place.
What amazes me is when I see people in their twenties who have families or live a life that seems of a much older person. But that's such a demographic, a socio-economic, cultural, class thing.
People would stop me in the street - my demographic tends to be the elderly Jewish women from Miami; I think they tend to fancy me as someone that would've been good with their daughter or something - and a lot of them will do the wrist-slapping thing. "Oh, you're a terrible man! Just terrible!" And I'm, like, "Well, it's just a show. I'm just playing a character."
I think Nevada is going to really be the first true test of whether or not these candidates have particular strengths in particular demographics.
I guess I felt straight when I was allowed to get married. Now I feel queerer because I'm not. It's the only thing that's changed. I wouldn't measure it in icon status or how much my demographic has changed, but in the rage I feel, and being not equal.
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