On MySpace ... the whole demographic of the stand-up comedy fan has changed. It's like an indie band thing. People think they've discovered you.
When I did TV shows and movies, the studios did demographic research. They were shocked to find that my audience isn't just men who are too drunk to turn off the TV after football. It's women, too. I don't know exactly why, other than that I've tried to remain true to myself for all these years. I have gone through a lot, and I've been open about it. Maybe they look at me and can see how you can grow up, have children, continue to be sexy, get married and divorced and, though you grew up poor, live the American dream. I'm very blessed. I'm happy for it all.
On the Continent and elsewhere in the West, native populations are aging and fading and being supplanted remorselessly by a young Muslim demographic.
Our advertising partnership with Allegiant Air is a natural fit for us. Branding encompasses everything from good customer service to strategic advertising positioning and targeting. This in-air branding exercise will allow us to target a specific player demographic, while continuing to expand the presence of our brand throughout the continental United States.
Demographics need not be destiny. The waning West became what it is not by out-breeding the undeveloped world. We were once great not because of huge numbers, but due to human capital - people of superior ideas and abilities, capable of innovation, exploration, science, philosophy.
Steven Tepper's Not Here, Not Now, Not That! offers invaluable insights into how social change and uncertainty drive protests over art. With fresh data and perspectives, Tepper makes a compelling case that cultural conflicts are largely homegrown, tied to each community's shifting demographics and values. It's an eye-opening work.
TV is a language all its own, a land of one dimensional stereotypes that destroys culture, not adds to it. TV is anti-art, a reflection of consumerism that serves the power structure. TV is about demographics.
People would stop me in the street - my demographic tends to be the elderly Jewish women from Miami; I think they tend to fancy me as someone that would've been good with their daughter or something - and a lot of them will do the wrist-slapping thing. "Oh, you're a terrible man! Just terrible!" And I'm, like, "Well, it's just a show. I'm just playing a character."
We obviously talk about immigration, but that's not the number one priority for - at least that I've seen with the Latino demographic. And we have not seen that as polling as the number one issue either.
I think Nevada is going to really be the first true test of whether or not these candidates have particular strengths in particular demographics.
What is the truth is that every one of my films is a film that I'd love to go see, and I think that's very important because I always think it's a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
Public Enemy started out as a benchmark in rap music in the mid-1980s. We felt there was a need to actually progress the music and say something because we were slightly older than the demographic of rap artists at the time. It was a time of heightened rightwing politics, so the climate dictated the direction of the group.
Hip-hop can be a very closed-off community. Sometimes these barriers are demographic but it can be musical, too.
Politics is changing and as the demographics of different constituencies change so we need to be awake to the possibility of making gains where we have not traditionally done so.
I feel like I've always had gay fans, I don't think my dating a woman has changed my demographic, but it certainly changed the way I feel about politics.
I think people cast their votes for a number of reasons. I think if you look at your polls, you'll probably find that many, many people think that our views are closer to what they believe the future of America should be. That our views are closer on economic issues. And a lot of those polls come down to demographics, to age, to how much money you are making.
Due to the major demographic changes we have gone through in the last few years in this country, we will be a majority/minority nation and there are a large number of people who do not like that. Donald Trump has tapped into those people's fears because he comes from the extreme right wing part of the Republican Party, as does Ted Cruz. They believe that we should cut taxes to wealthy Americans and enforce anti immigrant laws. They don't believe in Education or Social Security, they would end it and change it and privatize it.
If Hillary can't win the nomination - and it's clearly very, very hard for her - she's basically a stalking horse for McCain. She's preparing the demographic ground for McCain, by getting white working-class Democrats used to (if you will) not voting for Obama.
I don't really think about what people think of my music, and how they listen to it or what my demographic is.
It would be kind of ill to see Rachel McAdams win an Oscar [for Spotlight] - I don't think people give her credit for her range, she started in a kind of character with younger demographic-aged films and really made a push to be taken more seriously and got a lot of opportunities and knocked it out the park. But I feel like Jennifer Jason Leigh deserves one, maybe not just for Hateful Eight but for [Anomalisa] and everything. Like, I tried to watch Adaption again, that's rough!
I guess I felt straight when I was allowed to get married. Now I feel queerer because I'm not. It's the only thing that's changed. I wouldn't measure it in icon status or how much my demographic has changed, but in the rage I feel, and being not equal.
This is me putting it simply; the politicians are one demographic and they see that Arizona is changing. I feel like the only instinct to retain power is to have education favor you. You have this Mexican American program that helps kids take ownership of their race and their power. It threatens the political powers that are in place.
Every time I meet the CEO of a record label I tell them how they did it in the seventies because they want to know. I tell them, "Sign a hundred people! Throw it against the wall and see which ones stick!" And they frown and say, "Oh, we can't do that!" and they start mumbling about demographics and this and that.
I think it's extremely valuable for us to be able to have a conversation in more than one dialect, speaking to more than one demographic here, finding our common ground, and having a very frank discussion about race, for one thing, which is where he is most hard-hitting, race, and the issues of human rights.
The demographics are changing - and so what? Citizenship is a question of certain agreed-upon values and that is that. Do we believe that? I think at heart we do.
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