Dialect words are those terrible marks of the beast to the truly genteel.
From Dickens's cockneys to Salinger's phonies, from Kerouac's beatniks to Cheech and Chong's freaks, and on to hip hop's homies, dialect has always been used as a way for generations to distinguish themselves.
Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.
An academic dialect is perfected when its terms are hard to understand and refer only to one another.
So still were the big woods where I sat, sound might not yet have been born.
I think Shakespeare is like a dialect. If I heard a broad Scots accent, I'd probably struggle at first but then I'd start to look for words I recognise and I'd get the gist. I think Shakespeare is like that.
I sat staring, staring, staring - half lost, learning a new language or rather the same language in a different dialect.
I think dialects should be left alone. People should write in whatever dialect they feel they want to write. In the fullness of time, these dialects will sort themselves out.
I had a dialect coach to get an American accent, and then another dialect coach to come off it a bit. There is something deep and mysterious in the voice when it isn't too high-pitched American.
In the Phaedrus, Plato argued that the new arrival of writing would revolutionize culture for the worst. He suggested that it would substitute reminiscence for thought and mechanical learning for the true dialect of the living quest for truth by discourse and conversation.
I have a dialect myself; it's more pronounced, because I have studied theatre and been in England. It's half-British, half-Indian.
Well, American dialects have been studied for a hundred years or so.
My whole deal when I do accents or dialects is I gotta fool the locals. If I fool the locals then I've done my job.
What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America.
READING, n. The general body of what one reads. In our country it consists, as a rule, of Indiana novels, short stories in "dialect" and humor in slang.
As someone who's been doing a lot of classical theater recently, I loved the idea of getting to run around in Steven Alan, and not be in a corset and a wig, and not have a dialect, and get to be in a 90-minute play with no intermission, and get to do real comedy.
Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy
I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.
However, research in the years that followed found that in many of its important features, African American Vernacular English was becoming not less, but more different from other dialects.
This African American Vernacular English shares most of its grammar and vocabulary with other dialects of English. But it is distinct in many ways, and it is more different from standard English than any other dialect spoken in continental North America.
Space or science fiction has become a dialect for our time.
To that class we may leave it to refine the vernacular dialects of the country, to enrich those dialects with terms of science borrowed from the Western nomenclature, and to render them by degrees fit vehicles for conveying knowledge to the great mass of the population.
Obama a ‘light-skinned’ African-American ‘with no Negro dialect, unless he wanted to have one.
The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.
Each dancer has a different dialect that they speak.
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