In the summer of 2010, I had decided to get into film and TV writing, so I wrote scripts for six different ideas I had developed, and the pilot for True Detective was one of them.
..tithing isn't something I do to clear my conscience so I can do whatever I want with the 90 percent--it also belongs to God! I must seek his direction and permission for whatever I do with the full amount. I may discover that God has different ideas than I do.
I hope I just continue to be passionate about the roles and to always endeavor to bring clarity and honesty to the table and different ideas.
To be different is not necessarily to be ugly; to have a different idea is not necessarily to be wrong. The worst possible thing is for all of us to begin to look and talk and act and think alike.
Adidas is a very personal inspiration to me. It has enriched my creative life. It's an exchange between different cultures, different ideas, and most of all, it is teamwork.
People have different ideas, emotional ideas, of what certain words mean, and they think of irony as something that's more associated with being cynical-it's kind of a put-down.
Even when I illustrate multiple articles on the same person, the focus of the pieces are never the same, so I automatically get to reflect different ideas. But it doesn't mean that it's not a painful process. There are some really late nights.
I'm moving - as a person and as a writer - through time. I'm a different age. I'm thinking about different things. I have different life experiences. I'm trying to get closer to being honest. And by closer I mean that at different ages I have different ideas of what the truth is, and at any point I'm trying to express that at that moment in time.
We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology.
Anytime you get a group of people, they're going to have different ideas and they're going to want to approach situations in different ways.
I've got different ideas of complete happiness. But one is being by myself out in a forest, completely happy. Another is walking with a dog in some nice place. And three is sitting around preferably a fire, but not necessarily, and drinking red wine with friends and telling stories.
Democracy necessarily means a conflict of will and ideas, involving sometimes a war of the knife between different ideas.
I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'
I never sat down and wrote, but what I do is kind of act as a dramaturge for the piece. I am sitting with the writers. I'm discussing ideas with the writers and concepts. We're debating and having a dialectic where we are taking a lot of different ideas and trying to synthesize them into the right idea. I'm very much a part of that process. That's my job as the director.
People have different ideas of who I am. And I think because I'm very private, people make up the strangest ideas of who and why and what.
Any two people have different ideas of what is important.
I think it's more, at least at the time, a sense of abstraction. My mind doesn't really work in a way where there's a definitive sense of something. I go one way and then it opens up into a million different ideas, and somehow, when you look at the art, Buddhist art, or particularly Tibetan art, you know, it's a similar thing. All of a sudden there are a million lotus leaves and you're following one to the next and to another, and I related to that, and it felt simple and easy to me. And it made me feel smart.
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