Jealousy, which serves the struggle for survival, can deteriorate into the envy which draws defeat even from victory.
You cannot describe it or draw it. You cannot praise it enough or perceive it. No place can be found in which to put the Original Face; it will not disappear even when the universe is destroyed.
My father taught me how to draw horses - for this I shall be eternally grateful.
I was always the kid who could draw. I had this talent, and it was the one thing that gave me some kind of dignity in the midst of my personal environment.
I used to take Sharpies and draw on my pillowcases, and then go to sleep on them and wake up with red marker from the drool all on my face.
I used to draw stickmen with star glasses when I was at school. I didn't realise that would end up being me! The whole idea was that the glasses had mirrors, and if a youngster looked at me, they'd see themselves. Everybody is a star.
It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means.
Fiction demands structures and recognizable shapes. Big surprises only draw attention to the writer's hand.
I've always believed human blood is red because it really needs to draw attention to itself.
Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
That's what I've been trying to strive for - to draw a clear picture, to open up a new dimension.
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
Take a relief. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract.
Inevitably I draw on my own relationships when I write, so if I'm writing about a fight between a husband and his wife, of course I'm going to think about a recent fight with my husband. Or if I'm writing about sisters, of course I'm going to think about my sister.
Mark Ruffalo, aka the Incredible Hulk, is the natural gas industry's worst nightmare: a serious, committed activist who is determined to use his star power as a superhero in the hottest movie of the moment to draw attention the environmental and public health risks of fracking.
I love very much to draw animals.
There's never going to be a decathlon that you're going to have 10 events that your satisfied with. You're always, always going to be dissatisfied in something, and that always draws you back to try to retry that the next time you do a decathlon. It's like you go for the perfect 10.
I can draw really well. And I like to paint. I'm a bit of an artist.
When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
The fact is I'm not making a film in order to draw pictures or make images about Iran.
Who in the rainbow can draw the line where the violet tint ends and the orange tint begins?
Woman draws her life from man and gives it back again, and there is love.
The divergent series are the invention of the devil, and it is a shame to base on them any demonstration whatsoever. By using them, one may draw any conclusion he pleases and that is why these series have produced so many fallacies and so many paradoxes.
Just as a moral distinction is drawn between "those at risk" and "those posing a risk", health education routinely draws a distinction between the harm caused by external causes out of the individual's control and that caused by oneself. Lifestyle risk discourse overturns the notion that health hazards in postindustrial society are out of the individual's control. On the contrary, the dominant theme of lifestyle risk discourse is the responsibility of the individual to avoid health risks for the sake of his or her own health as well as the greater good of society.
Anyone who agrees to be interviewed must decide where to draw the line between what is public and what is private. But the line can shift, depending on who is asking the questions. What puts someone on guard isn't necessarily the fear of being 'found out.' It sometimes is just the fear of being misunderstood.
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