I used to draw stickmen with star glasses when I was at school. I didn't realise that would end up being me! The whole idea was that the glasses had mirrors, and if a youngster looked at me, they'd see themselves. Everybody is a star.
Fiction demands structures and recognizable shapes. Big surprises only draw attention to the writer's hand.
On the Internet, news is consumed a la carte. If someone shows up on the main page of a website and doesn't see anything of interest, they leave. This negatively impacts ad revenues. The solution on the Internet is to pack news websites full of things that will draw people in, regardless of whether they are news or not.
I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
The best works do not necessarily get to auction. I like to draw, so maybe I give you a little drawing. And then eventually it ends up at auction. And then critics say, 'Oh, that's a bad drawing!' Well, I didn't say it was so wonderful.
What I've realized is that a film operates both on the intellectual and emotional levels, and if you can find a way to tell a riveting story and draw ideas out of that, it's very powerful.
I don't think my name would necessarily draw people to come see the movie. It might hurt the movie, honestly.
That's what I've been trying to strive for - to draw a clear picture, to open up a new dimension.
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
As for suspense, I like to write books that draw you into the hero's plight from the opening pages, where people put their lives on the line for something - a belief, a family member, the truth.
Inevitably I draw on my own relationships when I write, so if I'm writing about a fight between a husband and his wife, of course I'm going to think about a recent fight with my husband. Or if I'm writing about sisters, of course I'm going to think about my sister.
I can draw really well. And I like to paint. I'm a bit of an artist.
Always get to the set or the location early, so that you can be all alone and draw your inspiration for the blocking and the setups in private and quiet. In one sense, it's about protecting yourself; in another sense, it's about always being open to surprise, even from the set, because there may be some detail that you hadn't noticed. I think this is crucial. There are many pictures that seem good in so many ways except one: They lack a sense of surprise, they've never left the page.
Who in the rainbow can draw the line where the violet tint ends and the orange tint begins?
Just get out your magic pencil and erase the cloudy skies, and just draw a picture of me saying, I apologize.
The divergent series are the invention of the devil, and it is a shame to base on them any demonstration whatsoever. By using them, one may draw any conclusion he pleases and that is why these series have produced so many fallacies and so many paradoxes.
I happen to think Latinas, Latin women, are the most beautiful women in the world. So that's what I'm going to draw. I love women from all cultures, of course, but if I was going to deal with any of them, that would be No. 1 for me.
There's something fascinating about watching artists draw.
I like to draw my storyboards myself.
I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.
I am always coming up with architectural metaphors when I think about writing. But I think one of the things that draw us to literature is that it gives us this very attractive illusion that there is meaning in the world - things connect.
Step out onto the Planet. Draw a circle a hundred feet round. Inside the circle are 300 things nobody understands, and, maybe nobody's ever really seen. How many can you find?
I'm always drawing, so Draw Something is a cool game to play against your friends when you're bored and sat chilling out and relaxing.
When I was very little my mother said I used to draw in the air with my fingers. I needed a pencil. Once I could hold one, I have drawn every day since.
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